Looking forward… another new music fix

Taking a momentary pause in Springsteen-focused posts to look ahead a little. While I haven’t really waded into the ‘that was the year that was’ waters yet there’s plenty already on the horizon for the coming months to look forward to by way of new music and my pre-order pile is already shaping up to the point that I need to reconsider my record storage setup. Again.

Mogwai – Fanzine Made of Flesh

There are some things that are so reliable as to provide comfort. One is that Mogwai will be delivering new music on a regular basis – usually with a soundtrack album in between studio offerings. The others are that these albums are likely to be strong blasts of the good stuff and that they will always contain the strangest of track titles.

With The Bad Fire set to drop in a little over a week, the next track released as a prequel ticks both the quality and the name boxes.

Lucy Dacus – Ankles

Lucy Dacus’ two previous albums – Historian and Home Video – provided some absolutely glorious moments that I still enjoy as often as possible. So with the announcement of Forever Is A Feeling yesterday and the release of ‘Ankles’ and ‘Limerence’ hinting that it’s going to be just as wonderful I jumped on the pre-order button quicker than a MAGA supporter on a link containing flat-earth proof.

Drop Nineteens – Daymom

Drop Nineteens made two brilliant albums in the early ’90s that merged the shoegaze vibe with the then burgeoning alt-rock before packing away their instruments. That they have another new album – after reforming for 2023’s Hard Light – is only good news for me.

Blondshell – T&A

I thoroughly enjoyed the debut from Blondshell – Sabrina Teitelbaum’s recording project – and am keen to get more via her upcoming If You Asked For A Picture. ‘T&A’ takes its title from a line – “tits and ass” – in the Rolling Stone’s song ‘Little T&A.’

My Morning Jacket – Time Waited

It feels like it’s been a while since My Morning Jacket worked with an outside produce but, then again, there was only the one self-titled studio album released during that time. For the up-coming is they’ve worked with Brendan O’Brien whose name you may know from the back of albums by Pearl Jam, Stone Temple Pilots, Rage Against The Machine or Bruce Springsteen’s early ’00s comeback records. While I’m always up for a new My Morning Jacket record I’m very curious as to how O’Brien’s style has worked with the bands. I’ll have to wait until March for the full thing but I’m sure we’ll get more than ‘Time Waited’ ahead of then.

Monday tunes you sure look fine

Ah, it’s been a minute.

As it’s that kick in the pills that serves as a reminder that the weekend is over that’s also known as Monday, it feels like a fitting moment to come down from tripping the cosmos collate some of those tunes that I’ve been enjoying of late in the hope that others dig them too.

Top Drawer – Song of a Sinner

I’ve been listening to a lot of Vietnam-era tunes lately (more on which to follow) and I guess the algorithm overlords of Spotify decided I’d enjoy this. They were right. Top drawer (pun intended) garage / psych rock from 1969 of which I know nothing about other than I dig it, man.

Pink Floyd – The Gold It’s In The… (2016 remix)

On a very similar vibe – and bypassing the fact that Roger Waters has travelled so far up his arsehole he’s come out as a Russian apologist for a moment – I’ve been enjoying some of the Early Years takes from Pink Floyd lately and Obscured By Clouds being one of those albums often overlooked it’s always worth revisiting a tune where Gilmour gets to break loose for a few bars.

Blondshell – Sepsis

This is one of those examples of not judging books etc etc…. I saw the name ‘Blondshell’ in one of those ‘artists to look for in 2023’ lists at the end of last year and scrolled on as it was sandwiched between some of those rappers with ‘Lil’ or ‘Big’ and numbers in their names and I figured it was more of the same. However, I went back to the list and read ‘brutally frank, distorted guitar-driven’ and started listening. Sabrina Teitelbaum – who performs as Blondshell – was en route to becoming a pro pop music writer before dropping out and writing her own stuff on a more alt leaning which means there’s a clear songwriting sensibility stapled to that aforementioned ‘distorted guitar-driven’ vibe that makes for great listening.

Tom Petty and the Heartbreakers – The Trip to Pirates Cove

I’ve been listening to a lot of later-period Tom Petty on the road lately. The inbuilt chill to his voice serves as a perfect counterpoint to the throb of the Ferrari’s V12* that helps take the edge off the cocaine. For reasons unknown it took me a long time to get to Mojo (well, I guess the reason was the disappointment of The Last DJ) but it’s a real resurgence of a record and I love both the overall vibe of this one but especially the lyric “she was a part of my heart, now she’s just a line in my face.”

Gretel Hänlyn – Wiggy

I’m determined not to be one of those guys that once the mid-40s arrive they adopt the ‘no music worth listening to has been made since 199X’ and I’m constantly keeping an ear out for stuff that has a vibe I can plunge into. I can’t tell you anything about Gretel Hänlyn – who I caught on the radio – other than she’s a 20 year old singer / songwriter / guitar player from London. Obviously there’s a big 90’s guitar element to this that’s probably why it caught my ear and I’ve come to terms with the fact that, given the age of a lot of current new bands I’m digging, it’s likely that they’ve been taking inspiration from their parents’ record collections.

Howlin’ Wolf – Smokestack Lightning

The cub has some very specific requests when it comes to music to listen to and when he recently requested we pick up a 3-disc ‘Classic Blues’ comp I didn’t have any objections and this tune is always a stone-cold killer.

*that sounds uncannily like a Ford diesel.