currently listening

Monday tunes you sure look fine

/ Tony / 3 Comments

Ah, it’s been a minute.

As it’s that kick in the pills that serves as a reminder that the weekend is over that’s also known as Monday, it feels like a fitting moment to come down from tripping the cosmos collate some of those tunes that I’ve been enjoying of late in the hope that others dig them too.

Top Drawer – Song of a Sinner

I’ve been listening to a lot of Vietnam-era tunes lately (more on which to follow) and I guess the algorithm overlords of Spotify decided I’d enjoy this. They were right. Top drawer (pun intended) garage / psych rock from 1969 of which I know nothing about other than I dig it, man.

Pink Floyd – The Gold It’s In The… (2016 remix)

On a very similar vibe – and bypassing the fact that Roger Waters has travelled so far up his arsehole he’s come out as a Russian apologist for a moment – I’ve been enjoying some of the Early Years takes from Pink Floyd lately and Obscured By Clouds being one of those albums often overlooked it’s always worth revisiting a tune where Gilmour gets to break loose for a few bars.

Blondshell – Sepsis

This is one of those examples of not judging books etc etc…. I saw the name ‘Blondshell’ in one of those ‘artists to look for in 2023’ lists at the end of last year and scrolled on as it was sandwiched between some of those rappers with ‘Lil’ or ‘Big’ and numbers in their names and I figured it was more of the same. However, I went back to the list and read ‘brutally frank, distorted guitar-driven’ and started listening. Sabrina Teitelbaum – who performs as Blondshell – was en route to becoming a pro pop music writer before dropping out and writing her own stuff on a more alt leaning which means there’s a clear songwriting sensibility stapled to that aforementioned ‘distorted guitar-driven’ vibe that makes for great listening.

Tom Petty and the Heartbreakers – The Trip to Pirates Cove

I’ve been listening to a lot of later-period Tom Petty on the road lately. The inbuilt chill to his voice serves as a perfect counterpoint to the throb of the Ferrari’s V12* that helps take the edge off the cocaine. For reasons unknown it took me a long time to get to Mojo (well, I guess the reason was the disappointment of The Last DJ) but it’s a real resurgence of a record and I love both the overall vibe of this one but especially the lyric “she was a part of my heart, now she’s just a line in my face.”

Gretel Hänlyn – Wiggy

I’m determined not to be one of those guys that once the mid-40s arrive they adopt the ‘no music worth listening to has been made since 199X’ and I’m constantly keeping an ear out for stuff that has a vibe I can plunge into. I can’t tell you anything about Gretel Hänlyn – who I caught on the radio – other than she’s a 20 year old singer / songwriter / guitar player from London. Obviously there’s a big 90’s guitar element to this that’s probably why it caught my ear and I’ve come to terms with the fact that, given the age of a lot of current new bands I’m digging, it’s likely that they’ve been taking inspiration from their parents’ record collections.

Howlin’ Wolf – Smokestack Lightning

The cub has some very specific requests when it comes to music to listen to and when he recently requested we pick up a 3-disc ‘Classic Blues’ comp I didn’t have any objections and this tune is always a stone-cold killer.

*that sounds uncannily like a Ford diesel.

It was that Wednesday when the storm was sinkin’ low… some mid-week tunes

/ Tony / 1 Comment

Here we are on week eighteen of January and it feels like a suitable moment to take stock on what – in between sunning myself on tropical shores and spending my money on fast women and slow horses – I’ve been punishing my ears with this last week or so.

Camp Cope – Caroline

I’d seen Camp Cope’s 2022 album Running With The Hurricane crop up on a few ‘best of year’ lists recently and have spent this week hooked on it. It’s absolute cracker.

Alexi Murdoch – Through The Dark

Occasionally I’ll flick on an episode of something while I’m chewing down my lunch (usually in between the second and third meat courses while the servants are refilling the wine). I recently flicked on an episode of ‘House’ in which this song featured and I found myself captivated by it – in a way it recalls those moody acoustic bruisers that Pearl Jam would drop in their middle period.

Laura Cox – So Long

‘Half English – half French, 100% Rock n Roll’ is how Laura Cox describes herself. All I know is I’ve been digging her new album of late – she fits into that blues rock vibe with a nice meaty tone.

Tori Amos – Pretty Good Year

I’ve been spending a lot of time with Tori Amos’ first couple of albums since 1357’s appraisal of Little Earthquakes and they’ve both been rereleased in pretty coloured vinyl packages recently too. My cassette versions of them are holding up ok so I’m not about to drop coin on replacing them but there’s genuine gold in those albums. Related question: does anyone burn cds anymore?

Russian Circles – Ethel

The whole Memorials album is strong but there’s something so transportive about ‘Ethel’ that it’s a regular player on my Post-Rock playlist. I know, even as a lover of the genre, some post-rock tunes can hang around longer than an unwanted politician but this one is in, out, done in just four minutes of brilliance.

Slowdive – Slomo

Speaking of transportive…. I’v played Slowdive’s Slowdive more times than I can count since it joined my collection at the tail end of 2021 and it was only a week or so ago that, when slipping the lp back into the sleeve, I realised it had a download code in there. Since then it’s been on the regular in the car too – there’s something immediately soothing about ‘Slomo’ in particular that makes it as an ideal to cue up for the drive home as it does chilling out at home after a hard day’s drinking and hitting the pipe.

My baby’s gone, with the wind. Train roll on. Tuesday’s… tunes

/ Tony / 4 Comments

Where does the time go? While I work up a few longer-form posts I thought the time was right to drop a quick summary of those aural delights I’ve been enjoying of late.

Larkin Poe – Deep Stays Down

Having only recently been turned on to Larkin Poe it was pretty damn decent of them to release a new album – Blood Harmony – so soon for me to enjoy. Gotta love how ‘Deep Stays Down’ builds up before unleashing, the whole album is a blast.

Luna Amară – Om

Luna Amară are a Romanian band – hailing from Cluj-Napoca. My wife picked up their album Nord for me when she had to pop over recently. There’s some really decent stuff on there and ‘Om’ is a favourite. He’s really giving it some on the chorus – Liber respiră, Fii tu fii om, Totul inspiră, Fii tu fii om / Breathe freely, be you – be human, everything inspires, be you – be human

Wolf Alice – Smile

I was late to the party with Wolf Alice’s 2021 album Blue Weekend. I bought it for my wife – as she wasn’t – but after hearing it each time I use her car (I don’t agree with her radio presets) I’ve really been enjoying it and, having drifted away after their first album, realise I’ve missed a lot.

Hum – Stars

Just because it’s great

Tom Petty and the Heartbreakers – Mary Jane’s Last Dance (Live at the Fillmore, 1997)

It’s no secret around these parts that the 1994 thru 1999 / Wildflowers thru Echo is my favourite Tom Petty & Heartbreaker’s period – they were mining such a rich seam as borne out by recent re-releases and the newly released Live at the Fillmore, 1997 is just fucking amazing. They were never better than this – they were great before and carried on being brilliant live (as the equally wonderful Live Anthology proves) but this captures PEAK Petty and Heartbreakers and I’ve been gorging on this since it dropped.

Bruce Springsteen – Galveston Bay

As time goes on I enjoy The Ghost of Tom Joad more and more – not that I didn’t already. A song like ‘Galveston Bay’ is so ridiculously good, it feels like the simplest of songs but what Bruce gets across with a bare, simple guitar line and five minutes is immense. I was gifted this one on wax for my birthday a few weeks back and have been soaking up the gorgeous atmosphere these tracks evoke once again on a pretty regular basis.

I’ll admit that I wonder now – five years plus on – whether my Least to Most Springsteen list would look the same and where recent additions Western Stars and Letter To You would fit but with the exciting news that Bruce is prepping a box of five unreleased post-1988 albums I think I’ll wait before reevaluating as, based on what I’ve heard from those likely inclusions, there’s to be some real gold there.

Soccer Mommy – I’m On Fire

Keeping it Bruce… at some point recently my son heard ‘I’m On Fire’ in the car and wanted to hear the rest when we got in the house. Cueing up the track on Spotify meant that, following on from Springsteen’s own we got the covers – the first of which was from Soccer Mommy whose own Sometimes, Forever has been a massive spinner this year. ‘Im On Fire’ seems a popular cover choice for female artists – I wouldn’t want to suggest any reasons why – and Sophie Allison does a cracking take on it here.

Drinking to the seldom seen kid: Monday spins

/ Tony / 11 Comments

The best laid schemes o’ mice an’ men. Gang aft a-gley… it seems each time I build up a head of steam on here the train falters just a few miles out of the station.

But let’s persevere, shall we, and slip back in by commencing another week with a summary of those songs that have been getting some love from my ears of late.

Exxasens – Le-Voyage, Pt2: (Back to Space)

There’s a wonderful, rich seam of post-rock in Spain. Bands like Toundra, Astralia, Audiolepsia and, of course Exxasens are regular spinners for me. I particularly love those bands from the Catalonia region – to my ears there’s something more of the melodic bent to their brand of post-rock and Exxasens, from Bareclona, typify this beautifully. Plus, a lot of their releases are space-themed and I do love a bit of the space race. This is from their gorgeous new album Le-Voyage.

M’dou Moctar – Chismiten

Thanks to tuning in to The Rough Guide to Desert Blues – courtesy of 1537’s reminder to do so – songs like this often slip into one of my Spotify play lists and this one really made me sit up and pay attention. M’dou Moctar is a mean Tuareg guitarist and his brand of Saharan rock / desert blues just soars… it blows my mind sometimes how music of this calibre comes from places you might least expect it.

James McMurtry – Canola Fields

Changing gears pretty sharply here… you know when a monarch slips this mortal coil the radio stations here have to change gears too and adopt songs from a more suitable sombre tone, pre-approved play list. The commercial stations also have to do away with adverts – whether this is a requirement or because maybe hearing that prick James Cordon enthusing about their printer’s ink coffee during a period of ‘national mourning’ isn’t the image McDonald’s wants I don’t know.
However, it does mean I both listen more to stations I wouldn’t normally and tend to hear those tunes that wouldn’t get much airplay usually. Driving back from some rave in an aircraft hanger or massive acid bender somewhere during that period I flicked the radio over and caught this one and was hooked. More specifically I caught the lyrics, the moody tone and the guitar work and was hooked. Alt.Country has often throne up some fucking great lyrics (see Bill Mallonnee and the Vigilantes of Love’s ‘Resplendent’) and this is another prime example of how to get across a novel’s worth in a song without over stuffing the sandwich – due diligence later on enjoying the album of the same name revealed the James is the son of writer Larry McMurtry so it’s clear where the story-telling gene comes from.

Cassandra Jenkins – Michelangelo

Speaking of bruising guitar tones…. the combination of Cassandra Jenkins’ vocals and that tone on this one caught my ears on one of those ‘Best of 2021’ comps that I dug out of the door bucket in the car and slipped on whilst drunkenly careening down country lanes after an all-night booze-up. Her album An Overview on Phenomenal Nature is one I’d missed entirely last year but have been enjoying lately – the variety of styles, all underpinned with Jenkins’ voice and great performances – makes for a real enjoyable spin.

The Hold Steady – Denver Haircut

The Hold Steady’s return, and return to form, had kind of been unnoticed by me but I’ve been belatedly really digging their last two efforts – Open Door Policy and Thrashing Thru The Passion – and while the ‘indie’ scene seems to be overrun by sprechgesang of late it’s a timely reminder that Craig Finn had been effortlessly putting lyrically dense narratives against some blistering riffs long before it was the cool thing.

The War On Drugs – Oceans of Darkness

Last year’s I Don’t Live Here Anymore was another slab of perfection from The War On Drugs. Unfortunately they’re signed to a massive label which means that its success warrants a ‘deluxe edition’ re-release less than a year later and, as if to excuse such a step, they’ve included a new tune. Still, that’s what streaming is for. It’s a bloody belter though and shame it wasn’t included first time round.

The Beatles – Taxman (2022 mix)

Paul McCartney once said “I’m not signing that, that’s disgusting. Put it away.” He also, apparently, said no to helping George Harrison with the lyrics for ‘Taxman’ so Lennon – who wasn’t involved with either heroin or Yoko at this point – did. Since spending time with ‘Get Back’ I’ve been enjoying The Beatles more than before and while I’m not about to go out and drop any money on the upcoming massive archival release of Revolver (my favourite Beatles album) I will be enjoying nuggets like this as they pop up on the streamers. 

The telex machine is kept so clean and it types to a waiting world… Monday spins

/ Tony / 7 Comments

Time slips away… this blog has been a little abandoned again of late though this time it was down to actually taking as much of summer off and away as possible and taking a little drive down to, and around, the South of France to soak up some sun and explore.

However, as term starts and the rain is slowly filling up the pond in my front garden that had been pretty much emptied by the summer’s draught, it feels like a good moment to take stock and shake off some dust with a quick punt out of those songs that I’ve been enjoying of late.

Bruce Springsteen – Hey Blue Eyes

As I pull together some pieces for another Bruce series I find myself listening to this more and more. American Beauty was an EP put out for RSD back in 2014 and this track – an off-cut from previous sessions with Brendan O’Brien is one of those nagging, seemingly-simple songs which highlights just how effective Bruce can be with something that he decides isn’t an ‘A’ tune and ends up being released, essentially, as a b-side (think ‘Shut Out The Light’ and goodness knows how many others).

Foo Fighters – Band on the Run

On the subject of RSD releases… The Foo Fighters put out Medium Rare – a thirteen song strong collection of covers – for Record Store Day back in 2011 and I’d been after a copy for a while. The Foos were always a delight when cutting loose on a cover, combining their increasingly tight chops with their tongue-in-cheek approach makes for a cracking listen. So I was pretty chuffed to find a mint copy in a record shop in Avignon which promptly left with me. Along with the likes of ‘Darling Nikki’ and ‘Baker Street’, this is a pretty strong example and seems fitting to slip on here after this weekend’s Taylor Hawkins tribute concert.

Adé – Tout Savoir

Driving around for two weeks listening to the same radio station means you’re gonna hear a few songs played a lot especially if they’re big. Along with Sting’s ‘Rushing Water’ and a few others, Adé’s ‘Tout Savoir’ has been firmly lodged in my ears but it’s one that I continue to enjoy, it’s pretty upbeat with a decent melody and offers more than your usual pop radio fodder.

Larkin Poe – Hard Time Killing Floor Blues

Every now and then the boy will request ‘Planet Rock’ on the car radio. Sometimes I’m not in the mood as there’s only so much leather waistcoat music I can take but his recent request caught something called something called ‘The Blues Power’ show and made for a pretty decent drive and this one ended up lodged in my head. I don’t know much about Larkin Poe other than it being fronted by two sisters but I’m enjoying this one plenty of late.

Christone ‘Kingfish’ Ingram – Long Distance Woman

Keeping that blues crunch vibe going, I caught this guy’s name being mentioned in high esteem in various print / online music chats and was pretty impressed when I checked out his stuff – this dude can play and he’s only in his early twenties (though he could probably benefit from a salad or two). This is form his second album 662 which I’ve been joyously powering through lately. He does a great take on ‘Hey Joe’ too that’s all over YouTube. 

Ryan Adams – Rollercoaster

While the music press and industry are still keeping Ryan Adams on the naughty step, he’s remained busy with some sell-out shows and a tour on the way as well as continually releasing albums and a prolific rate with three albums, two of which are doubles, in 2022 alone, that continue to mix his stark acoustic works with that golden late-80s vibe which he’d started to perfect with Prisoner. ‘Rollercoaster’ is taken from the middle of this year’s three albums, Romeo and Juliet. 

Pixies – Vault of Heaven

Hey! The Pixies have got a new album coming out soon that’ll mean they’ve released as many albums since reforming as their original run. While you can’t expect another Bossanova or Doolittle, they’re sounding increasingly comfortable and stretching out with increasingly strong and consistent albums. If this song, about the time Frank Black joined Mark Knopfler’s band I think, and previous ‘There’s a Moon Out’ is anything to go by, Doggerel is gonna be another belter.

Or Thursday watch the walls instead… current spins

/ Tony / 3 Comments

Time keeps on slipping, slipping slipping… between posts and while I debate moving another Springsteen series from notebook to keyboard it felt an opportune moment to deposit a selection of those songs that I’ve been enjoying of late.

Built to Spill – Spiderweb

While gaps between Built To Spill albums seem to get longer each time around, When the Wind Forgets Your Name – due in September – is one I’m really looking forward to, Doug Martsch’s guitar playing continues to delight.

Big Thief – Not

Dragon Warm Mountain I Believe In You is easily one of this year’s finest but 2020’s Two Hands still rewards on repeated listens.

The Cure – Doing the Unstuck

Another instance of an anniversary reissue reminding you of the unstoppable march of time… The Cure’s unimpeachable Wish turns 30 this year. Not only does this mean I’ll be able to add the vinyl to my collection without forking out the ridiculous asking price for an original copy but it also means I’ve been joyfully spinning the CD in the car this last week.

Pink Floyd – Dogs (2018 Remix)

After seemingly setting aside their bickering (at least about this subject), the much-touted remix of Animals is almost upon us. How much it adds to an already exceptional album is gonna be one for debate by other people but I’m loving the new cover art.

Rickie Lee Jones – We Belong Together

It’s just an addictive classic. That piano, her voice, the vibe… I could soak in it on repeat all day long.

The Shipping News – Axons and Dendtrites

Flies The Fields is a brilliant album – from the wave of post-rock that was still in thrall to Slint rather than Godspeed! – but this, the album opener, remains a firm favourite that I’ve been replaying a lot recently after catching its use on screen in something that now escapes me.

Billy Joel – New York State of Mind

Speaking of ‘that piano’ and catching things in use on the screen… someone recommended The Boys to me and I ended up bingeing my way through the lot and, for those unfamiliar, Billy Joel features heavily – though not this song. This song ended up in my head after my son was spinning his The Muppet Show 2 album recently which features Floyd’s cover. From there it was a ‘now let’s hear the original’ – easily one of Joel’s finest (of which he has many).

If you’ll just come with me you’ll see the beauty of Tuesday afternoon spins

/ Tony / 27 Comments

Lo and behold I’m still here. As the kick in the dangly bits of Monday slips into Tuesday afternoon I thought it as suitable a time as any to put together a few of those things I’ve been listening to, a veritable smorgasbord of aural delights as big as… well.. what feels like the right length for a blog post, really.

Pixies – There’s A Moon On

New Pixies? It’s a pretty safe bet that anything they release will end up being welcomed by my lugholes.

Idlewild – Love Steals Us from Loneliness

Idlewild were a great band – I say were; I think they got back together but I’ve not heard anything of their more recent material – and so I was pretty chuffed to find their fourth album Warnings / Promises had received a vinyl release and it’s had a good few spins since picking up on sale a few weeks back.

Melody’s Echo Chamber – Where the Water Clears the Illusion

So Tame Impala gets a lot of play in Hill House as my wife is a big fan. There’s a lot of connections between the dude (Kevin Parker) and Melody Prochet who is Melody’s Echo Chamber that I don’t really know too much but it’s no surprise there’s a similar vibe to the music too. Anyway, this came up on the radio a while back as an intro and I’m really digging all the different elements – there’s some hints of shoegaze, space-rock and dream pop in there – in here and brew they create.

Kurt Vile – Wages of Sin

Speaking of things getting a good few spins; Kurt Vile’s new album (watch my moves) is yet another welcome addition – he just gets better with each passing album and they’re all such a great vibe to get lost in and if you add that vibe it to a Springsteen classic…

Soccer Mommy – Shotgun

I feel like I should have heard Soccer Mommy – the musical endeavour of Sophie Allison – before now. Probably because if you spin to the bottom of the Snail Mail listing (or whatever you call it) on Spotify Soccer Mommy is listed down there next to Lucy Dacus… instead it was having heard this one on the radio and then hitting up the streaming service to hear more.

Rage Against The Machine – Freedom

There’s been a real nostalgia drive in my house of late – harking back to that last great decade of music. Rage have featured heavily. They made three fucking intense and great albums and signed out (albeit with a covers album as number four) and this… well it doesn’t need any words.

OK so I don’t do TikTok or much social media in general but there’s this dude on there who I got send a link to – Jacob Givens. Honestly if I could hug him I would, he feels like a kindred spirit and it was seeing some of his videos that kicked off the nostalgia push so I’ll share one here as he’s also on youtube:

Hey hey, rise up: Friday’s spins

/ Tony / 3 Comments

As I seem to be slipping back into the habit of posting more frequently, it feels like a fitting time to drop one of those ‘this is what I’ve been listening to’ posts that have peppered this blog previously as we head giddily into the weekend.

Pink Floyd – Hey Hey, Rise Up

Is this cheating? It only came out today but I’ve listened to it a good half dozen or so times already and it grows on me more each time. The first new Pink Floyd song in 28 years (songs from The Endless River were re-heated leftovers after all) is real grower – a gentle very-Floyd strum accompanying a powerful vocal from Ukrainian singer Andriy Khlyvnyuk giving way after a minute or so to a suitably screaming solo from David Gilmour that seems to be more an anguished scream of a protest song and keeps reaching those glorious notes so associated with the guitarist and Floyd. I’ve got a feeling that this song – a reaction to extraordinary times with added fuel as a result of Gilmour’s personal connection – is likely a one-off though.

The War On Drugs – I Don’t Wanna Wait

It took me until this year to fall head over heels with The War On Drugs’ I Don’t Live Here Anymore because Atlantic Records are one of those major labels who seem to enjoy taking the piss with prices. The album was going for close to £40 on my preferred format and the fact that I could usually pick up a double on a lesser money grabbing label for half that meant I didn’t add it to my collection until I picked up the CD for under a fiver this year. It’s a brilliant album that’s been in the car pretty solidly over the last month or three. ‘I Don’t Wanna Wait’ is both a highlight and representative of the album as a whole – it builds from a deceptively simple very-80s beat before expanding into a much more involved, seemingly boundless song that’s dripping in that sun-kissed AOR vibe circa ’87 (think Tunnel of Love) underpinned by a guitars whose tone and fluidity leave me feeling sticky and satisfied.

The Mysterines – Hung Up

I’ve mentioned this group before and have been digging every song they’ve released thus far as they were on of those bands oft-played on 6Music during my commute. I’ve been spinning and loving their debut Reeling this week after I was able to make it to my usual dealer to collect my pre-order and I’m looking forward to where they take it next.

Loop – Heaven’s End

I have to wonder if the guy that owns my usual record shop has one of those ‘I will now sell five copies of “The Three EPs” by The Beta Band’ moments before I visit because when I stopped by to pick-up The Mysterines’ record he was playing an album to which both my wife and I both said “who is this?… it’s good!” As a result Loop’s debut Heaven’s End from 1987 is nestled in my collection and has been played quite a bit since. Think raw, Detroit-punk imbued trance-rock with hypnotic, discordant guitars and you’re on the way. I thought it was early Mudhoney at first but there’s elements of shoegaze in the mix with these drone-like soundscapes. I read a review that referred to this as “sound(ing) like the soundtrack to a missing hallucination scene from Easy Rider.”

Monty Python – I Bet You They Won’t Play This Song on the Radio

My son has been discovering and generally enjoying Monty Python of late. Given that he’s only 8 there’s plenty that gets skipped or simply not shown but he was so loving ‘Always Look on the Bright Side of Life’ that the ’45 was added to the collection. This one was on the flip side and has probably been played more as it seems to hit the same mass enjoyment buttons shared by 8 and 41 year olds.

Dire Straits – News

I went to a record fair last weekend and all I got was this lousy t-shirt the only record I walked away with was Dire Strait’s Communique. A nice, clean and well-kept copy for a fiver hits about right for me. I think Communique gets a bit of a bad rap – it was a bit of a rush job after their first album took off and doesn’t have a hook akin to ‘Sultans of Swing’ and isn’t a patch on Making Movies but in ‘Once Upon A Time In The West’, ‘News’, ‘Where Do You Think You’re Going?’ ‘Angel of Mercy’ and ‘Portobello Belle’ does has have five cracking Dire Straits song and it’s more laid-back, subdued style is perfect for a certain vibe.

Father’s always smokin’ and your mom’s at church… for Tuesday spins

/ Tony / 6 Comments

Yesterday was too much of a growler punch for anything and as my brain returns from being fried I thought it time to look back at those tunes that have been making me either shake my money maker or offer a knowing nod of approval toward the radio in the car this last week and some.

October Drift – Airborne Panic Attack

Maybe it’s because I don’t want to be that guy of a certain age surrounded by post-rock albums and denouncing the music of today or maybe it’s desperation to break out of Spotify’s ever decreasing circles of recommended ‘new’ music… but I love hearing genuinely new music on the radio that ticks all my boxes and try very hard not to think of how the performer is probably half my age.

This has lots of things I like and nothing I don’t.

The Black Crowes – Thorn In My Side

That little yellow dude over at 1357 gave me all the nudge I need to slip The Crowes’ Southern Harmony and Musical Companion into the cd slot in the car last week and it hasn’t left. The guitar tone on this keeps making me go back for more. Whether I need an intermittently correct calendar for the next 50 years remains to be confirmed.

Yasmin Williams – Swift Breeze

We’re into that time of year that means avoiding Mariah Carey and Chris Rea by listening to those Best of 2021 picks (mine will undoubtedly find me sitting surrounded by and picking out post-rock albums as it’s been a good year for the genre) and I keep seeing Yasmin Williams’ Urban Driftwood pop up, phenomenal player and a great album.

Sonny Landreth – Native of the Motherland

Speaking of great players… this one popped as a recommendation and while I prefer his instrumentals like this one, I was glad to discover Sonny’s work.

Coach Party – FLAG (Feel Like A Girl)

Another one from a promising new talent that falls into the ‘making me move my head in a way that rivals Elaine’s little kicks on the drive home’ category that’s been getting a whole lotta spins.

Bruce Springsteen – Prove It All Night (The Legendary 1979 No Nukes Concerts)

Jim over at Music Enthusiast gave me the heads up this one was coming as I was asleep at the switch on this Springsteen drop. It’s every bit as good as the idea of a power-drive run through Springsteen and the E Street Band’s set circa ’79 should be.

World record players on a tour of Japan, Charlie fixing his van with the left arm tan… Monday spins are here again

/ Tony / 8 Comments

It’s the start of another week, another Monday rising to meet us like the tip of the working-week iceberg that looms beneath the chilly waters.

So let’s grab a mug of the good stuff* and take a look back at the week that was in terms of listening delights that penetrated my lugholes.

Courtney Barnett – Write A List of Things to Look Forward To

I have really missed out here – Courtney Barnett being one of those names I’d heard and read of numerous times but never checking out. I guess we’re too spoilt for music these days and it’s hard to get to grips with anything, it’s like my son when we visit the Lego store; there’s so much he didn’t know he wanted and can’t make his mind up as to what to walk away with.

My wife got me back into monthly music mags recently and one of Ms Barnett’s tunes appeared on one of the cds they come with and proved to be the trigger I needed to check out and enjoy her new album Things Take Time, Take Time this last week. It’s pretty damn good.

Foo Fighters – Generator

I’m reading Dave Grohl’s ‘The Storyteller’ at the moment and it’s a cracker of a book. There’s a lot he leaves out for obvious reasons but it turns out that’s he’s quite the memoirist. In it he states his belief that There Is Nothing Left To Lose remains the best album they’ve made to date. I can see why he likes it, personal reasons aside. It’s certainly their first to sound like a real ‘band’ album and it’s stripped-back sound – thanks to Adam Kasper and the bare-bones nature of Grohl’s home studio where it was made – makes for a great listen to this day. I think I ranked it quite highly in my Least to Most a couple of years back but not a top three, good as it is.

John Fahey – Requiem for John Hurt

Because there’s always time for something so great

Cold Water Flat – King of the Undergound

In a weird jog of memory I found myself thinking of Cold Water Flat – a college / alt-rock band that never took off but, as they were formed by Paul Janovitz, brother of Buffalo Tom’s Bill Janovitz, came across my radar many years ago. Pretty sure that if I have the cd it’s one of those boxed up in the garage and they’re not on the streaming service beginning with S so had to resort to YouTube to hear the album again. They managed just two of them, one for a major (which borrowed BT’s producer Sean Slade), before going their own separate ways. The drummer would actually go on to pick up the Pullitzer Prize for Fiction for his novel ‘Tinkers’.

Snail Mail – Valentine

Another of those new artists I’d read about / heard about but never checked out. This time it was the weekly emailer from my local / favourite record store Vinylstore Jr that got me tuning in when he pitched it as a ‘midway point between Lucy Dacus and Hole’. Now: I like a bit of Hole and I like Lucy Dacus, but which is best? There’s only one way to find out…

Jimmy Eat World – Just Tonight (Phoenix Sessions)

I hadn’t listened to Jimmy Eat World in blood years until I saw this crop up last week. Apparently the band did some of those full-album performances as streamed concerts when the world of touring was shut down last year and are now releasing the audio. Futures was one of their albums I thought was hampered by production so I’ve been enjoying the rawer / live takes on this.

*a rather fruity Kenyan blend today should you be interested