So… fellow blogger and instagram user David Oman over at Vinyl Supernova not only runs a cracking blog with his own takes on films and pop culture but creates fine content of his own over on ‘the gram’ (surely it’s about time somebody posed the questions to David at this point) and for the last couple of years has been interviewing members of Instagram’s ‘vinyl community’ about their record collections.
A little while ago, while I was taking a semi-break from here, he pinged some questions my way and it was an absolute pleasure to be involved. You can check it out here if you so wish.
From the PR: “Sebastian James Murphy is twenty years, six months and two days old. He loves swimming, fried eggs and Billy Ocean. Sebastian is autistic. And lonely. Veronica wants her son Sebastian to be happy, and she wants the world to accept him for who he is. She is also thinking about paying a professional to give him what he desperately wants.
Violetta is a high-class escort, who steps out into the night thinking only of money. Of her nursing degree. Paying for her dad’s care. Getting through the dark.
When these three lives collide, and intertwine in unexpected ways, everything changes. For everyone.
Both heartbreaking and heartwarming, This Is How We Are Human is a powerful, moving and thoughtful drama about a mother’s love for her son, about getting it wrong when we think we know what’s best, about the lengths we go to care for family and to survive.”
Louise Beech recently shared Strong Words Magazine’s review of This Is How We Are Human with its three word summary of “Autism / prostitution interface.” That’s gotta be a pretty unique description but then this is a pretty unique – and bloody great – novel.
In fact, This Is How We Are Human might just be Louise Beech’s best novel yet – it’s just so deliciously engrossing and nigh on impossible to put down. The characters are so beautifully rendered and compelling, their voices so vital and genuine. Louise Beech has a way of nailing emotions that puts her work on a different level, it infuses her characters and gets you invested in them real early on.
This is How We Are Human is Louise Beech’s seventh book, and with each of the previous five I’ve had the pleasure to read I’ve ascertained that reading one of Louise’s novels is akin to watching a Pixar film: you know that there’s gonna be an emotional punch to the delicates but you get so lost in the story and characters that you forget and then it really flaws you. This one is no exception. The emotional gamut run through the final few chapters – from edge of seat, ‘holy crap, no!’ to the heart tugging end – is her best yet.
But I’m skipping ahead a bit here… while the novel starts at the almost-end, I’d be remiss to talk about the emotional kick-in-the-pills of the ending without saying that getting there is an absolute sodding joy.
Yes it’s a bloody emotional read, tackles some heavyweight subject matter head on and with genuine skill but, perhaps most importantly, This is How We Are Human has a brilliantly compelling story line with a split narrative style that adds more punch and hook, told as it is through three key character povs, the most masterfully written of course being that of Sebastian. With this narrative Louise has given an authentic and powerful voice to someone who’s voice is often not even considered let alone heard.
There are some shocking moments in This Is How We Are Human, there are some tender moments, some painful emotional reveals and, this being a Louise Beech novel after all, some wickedly sharp and funny moments. But then that, appropriately, is the human experience and, novel after novel, Louise Beech just gets better and better at chronicling it. I’m already looking forward to her next book.
My thanks once again to Karen at Orenda Books for my copy of This is How We Are Human and to Anne Cater for inviting me to take part in this blog tour.
From the PR: “Mum-to-be Rachel did everything right, but it all went wrong.
Her son, Luke, was stillborn and she finds herself on maternity leave without a baby, trying to make sense of her loss.
When a misguided well-wisher tells her that ‘everything happens for a reason’, she becomes obsessed with finding that reason, driven by grief and convinced that she is somehow to blame. She remembers that on the day she discovered her pregnancy, she’d stopped a man from jumping in front of a train, and she’s now certain that saving his life cost her the life of her son.
Desperate to find him, she enlists an unlikely ally in Lola, an Underground worker, and Lola’s seven-year-old daughter, and eventually tracks him down, with completely unexpected results…
Both a heart-wrenching portrait of grief and a gloriously uplifting and disarmingly funny story of a young woman’s determination, Everything Happens for a Reason is a bittersweet, life-affirming and, quite simply, unforgettable read.”
I’ve gone back and forth a few times on how to tackle reviewing Everything Happens for a Reason, it’s not an easy one for me to review – simply because I haven’t read a book this emotionally powerful in some time.
The blurb gets straight to the point: Rachel’s son Luke was stillborn. The events of Everything Happens for a Reason are relayed through a series of emails from Rachel to her unborn son. It’s a brilliant concept that makes for a modern take on a diary-like nature of story by ‘instalments’ while both immersing the reader in Rachel’s world and never getting away from the heart of the story – that Rachel is writing to someone she’ll never get to really speak to.
Grief is a multifaceted, complex and uniquely personal process – while it’s inevitable that people will share common elements in their experience of loss I don’t think the world stops turning for everyone in the same way. Rachel’s loss of a baby is one that I know I’d find insurmountable and Katie Allen writes with an emotional honesty and forthright nature that’s both arresting and inviting in its openness. This book broke my heart on multiple occasions yet I could not put it down.
But then that’s probably because it also made me laugh on multiple occasions too and had me gripped throughout.
Katie Allen has written a novel that’s not only a deeply moving reflection on loss and grief but is also bloody funny at times, that’s chock full of brilliant characters and happens to be wrapped around a thoroughly compelling and clever plot that takes more than a few turns for the massively unexpected.
Everything Happens for a Reason doesn’t cover an easy subject and there are times when it’s a real heart wrench but it’s also a warm, bittersweet, hugely rewarding and brilliantly written novel.
My thanks to Karen at Orenda for my copy of Everything Happens for a Reason and to Anne Cater for inviting me to take part in the blogtour.
It’s been a little while (5 years almost) since I put together my ‘self compiled’ Aerosmith takes – Part 1 and Part 2 links here should you be inclined.
The idea was simple – inspired by one of Jim’s takes over on Music Enthusiast – I recreated the two Aerosmith compilation tapes I’d had kicking around in my car back in the day.
So why are we back in the Toxic Twins’ territory? Well, having dug out some cassettes from the garage recently I got to thinking that, in all likelihood, I would by now have put together a third parter of post Nine Lives material because it’s the kind of compiler I was. hence Self-compiled; Aerosmith Pt 3.
Since 1997 Aerosmith have released two studio albums of original material and one of blues covers along with some seven additional compilations shuffling the usual suspects in varying order. Perhaps not a lot to choose from then?
Well, yes and no. Just Push Play is still one of their weakest efforts but at least has a good few songs in retrospect and 2012’s Music From Another Dimension has plenty of great tunes on it, meanwhile the last two and a half decades have seen them contribute original songs to a good few soundtracks and put out solo records of varying quality (Joe Perry’s self-titled is well worth a look).
Obviously it’s not a huge wealth of material for such a vast time period but given the sheer strength of their output from the 70’s pretty much through to the end of the 90’s, it’s not too bad and there’s still enough to give a good hour or so of compilation – it’s a shame they appear to have turned into something very strange as a band of late with Vegas residencies and Joey Kramer needing to sue the band to get his spot back on the show… oh well, I’ll see how I behave in my 70s before casting aspersions…