Monday tunes you sure look fine

Ah, it’s been a minute.

As it’s that kick in the pills that serves as a reminder that the weekend is over that’s also known as Monday, it feels like a fitting moment to come down from tripping the cosmos collate some of those tunes that I’ve been enjoying of late in the hope that others dig them too.

Top Drawer – Song of a Sinner

I’ve been listening to a lot of Vietnam-era tunes lately (more on which to follow) and I guess the algorithm overlords of Spotify decided I’d enjoy this. They were right. Top drawer (pun intended) garage / psych rock from 1969 of which I know nothing about other than I dig it, man.

Pink Floyd – The Gold It’s In The… (2016 remix)

On a very similar vibe – and bypassing the fact that Roger Waters has travelled so far up his arsehole he’s come out as a Russian apologist for a moment – I’ve been enjoying some of the Early Years takes from Pink Floyd lately and Obscured By Clouds being one of those albums often overlooked it’s always worth revisiting a tune where Gilmour gets to break loose for a few bars.

Blondshell – Sepsis

This is one of those examples of not judging books etc etc…. I saw the name ‘Blondshell’ in one of those ‘artists to look for in 2023’ lists at the end of last year and scrolled on as it was sandwiched between some of those rappers with ‘Lil’ or ‘Big’ and numbers in their names and I figured it was more of the same. However, I went back to the list and read ‘brutally frank, distorted guitar-driven’ and started listening. Sabrina Teitelbaum – who performs as Blondshell – was en route to becoming a pro pop music writer before dropping out and writing her own stuff on a more alt leaning which means there’s a clear songwriting sensibility stapled to that aforementioned ‘distorted guitar-driven’ vibe that makes for great listening.

Tom Petty and the Heartbreakers – The Trip to Pirates Cove

I’ve been listening to a lot of later-period Tom Petty on the road lately. The inbuilt chill to his voice serves as a perfect counterpoint to the throb of the Ferrari’s V12* that helps take the edge off the cocaine. For reasons unknown it took me a long time to get to Mojo (well, I guess the reason was the disappointment of The Last DJ) but it’s a real resurgence of a record and I love both the overall vibe of this one but especially the lyric “she was a part of my heart, now she’s just a line in my face.”

Gretel Hänlyn – Wiggy

I’m determined not to be one of those guys that once the mid-40s arrive they adopt the ‘no music worth listening to has been made since 199X’ and I’m constantly keeping an ear out for stuff that has a vibe I can plunge into. I can’t tell you anything about Gretel Hänlyn – who I caught on the radio – other than she’s a 20 year old singer / songwriter / guitar player from London. Obviously there’s a big 90’s guitar element to this that’s probably why it caught my ear and I’ve come to terms with the fact that, given the age of a lot of current new bands I’m digging, it’s likely that they’ve been taking inspiration from their parents’ record collections.

Howlin’ Wolf – Smokestack Lightning

The cub has some very specific requests when it comes to music to listen to and when he recently requested we pick up a 3-disc ‘Classic Blues’ comp I didn’t have any objections and this tune is always a stone-cold killer.

*that sounds uncannily like a Ford diesel.