Spinning Some Newer Things

Stepping out of the mid-90s for a moment, I thought it high time to throw a few things up here to show what else – during this long-arse pause in the ‘norm’ – has been going through my ears lately.

Daughter – Youth

So… anyone else catch Ricky Gervais’ ‘Afterlife’ on Netflix? We powered through both seasons earlier this year. Not what I was expecting – gutting at times… jesus. Hell of a soundtrack though and sent me off exploring a lot of new artists and many I’d heard of but not heard. This particularly stood out and I’ve been enjoying Daughter’s catalogue since.

Eliot Sumner – Information 

Some time back I took a punt on Destroyer’s Kaputt having seen it on sale for £5.99 and found out I really dug it. The same thing happened with Eliot Sumner’s album Information: I saw it in a sale for £6.99 and thought ‘why is a double lp so cheap?’, checked reviews / information, not a lot them about so pinged it up on Spotify and… holy shit! The name didn’t click at first but the voice…. it’s like the same timbre of her father and she’s singing with such confidence and there’s a real power to it… really enjoying this album from Gordon’s daughter even if, or perhaps because, it’s not what would normally be in my wheelhouse.

School Is Cool – Close

Another new discovery – these guys hail from Belgium. Their new album Things That Don’t Go Right is a pretty good mix of the same sun-kissed guitar tones and vibes that The War On Drugs have perfected along with some cool vocal harmonies and those 80’s sci-fi synths that Stranger Things seems to have revived.

Turnover – Cutting My Fingers Off

I’d seen this album so many times on ‘the ‘gram’ and for some reason thought it was something entirely different – I thought it was one of those stone-metal albums like Sleep…. However; took the opportunity afforded by not having to get up for work (only as an acting teacher to my son at least) to listen in on headphones in the evenings and have been hooked on Turnover since.

Gary Clark Jr – This Land

Holy shit did I sleep on this one. I mean, I’ve always dug Gary Clark Jr’s playing – his Live album is a frequent spinner even if I haven’t found his studio albums as rewarding – but this is just something else and, right now, still, essential.

Philp Sayce – Burning Out

Again – new to me, this guy, but I’ve been digging what I’ve heard thus far and, much like Gary Clark Jr, this guy drew a lot of ears playing at one of Clapton’s Crossroads Guitar Festivals.

Pearl Jam – Quick Escape

March seems like a decade ago already doesn’t it? Without being able to tour and promote it’s easy to forget Pearl Jam had a new album out this year – which sucks especially when you consider how long we had to wait for it! Still, Gigaton is an absolute beast – one of their most ‘on’, diverse and consistently strong albums in a long time and I enjoy it more with every spin. ‘Quick Escape’ is a thumper! “Crossed the border to Morocco , Kashmir to Marrakesh . The lengths we had to go to then to find a place Trump hadn’t fucked up yet.”

 

Spinning Some More New

I’m still here! You’re still there, I hope. Despite being busier than a contagious disease expert I have been listening to music new and old. The old as part of my now way-behind schedule Albums of my Years series and the new because, well, who doesn’t like hearing new music?

So, as I try and finish the 1988 post in another tab, here’s some of the new tunes I’ve been spinning and streaming and Alexa…ing of late:

 

The National- Never Tear Us Apart

It’s safe to say that I was underwhelmed by last year’s much-hyped album from The National. Nothing hooked me in the same manner as their previous work but after x albums that’s not too surprising. This however…. well I really dig it. A cover of INXS’ most 80s of ballads for a bushfire relief album and shows (along with their cracking cover of Bruce’s ‘Mansion on the Hill’ a few years back) the band have a way with a cover.

Biffy Clyro – Instant History

My wife digs this band more than me but I think that’s more down to the singer… I like em though and have caught em live at least once. I saw a tweet that summed up my response to their slightly-new direction that went something like “I’m not sure about this new Biffy Clyro song.. THIS IS THE SOUND THAT WE MAKE!!!” It’s a real earworm that even my son is hooked on.

Bush – Flowers On A Grave

Obvious euphemism aside, I used to really like a bit of Bush back in the day. Their first three albums had some great tunes on but Golden State, their fourth, felt like the end of a road. Turns out they got back together in 2010 and have released a few albums since that I’ll earmark for future listening. This is their latest from an upcoming 8th album.

Pearl Jam – Dance of the Clairvoyants AND Superblood Wolfmoon

It gives me so much pleasure to put Pearl Jam in a ‘spinning the new’ post once let alone a twofer and say that there’s a new Pearl Jam album out in just a couple of weeks now. It’s been so long and the waiting drove me mad… It took a minute or two for me to love this song, it didn’t hit immediately. My first reaction was “wow that’s.. different.” But each listen revealed more: that bass line, Vedder’s vocal the most committed he’s sounded in ages and it’s got a real groove to it. New producer, new vibe…  the other new song release from the album is a little closer to the band’s ‘expected’ sound but still has a pretty different vibe (and a killer solo):

I can’t wait for Gigaton. Thankfully I don’t have to wait for long.

Spinning some new

In between working, reading the Pink Floyd biog, composing posts about Springsteen (2 in the works) and Dylan, pricing up a Jag and reading / writing fiction I also manage to listen to new music and notice that I’ve forgotten to post on here again.

So, in an attempt to fix the latter – here’s the new that’s been getting a lot of rotation of late:

The Pixies – On Graveyard Hill

Despite the fact that I love pretty much every Pixies album, for reasons various it was only a month or so back that I finally got round to listening to their 2016 album Head Carrier. Then, a few evenings back an email pings into my inbox and announces that they have a new one ready for later in the year and this beaut is available to hear now. It’s a sodding belter of a song.

Jambinai – Sawtooth

I picked up my copy of the new Jambinai album, Onda, yesterday from the same record store I discovered them in, it was only out on Friday but I’ve been enjoying this lead track for a bit now. Mixing  traditional Korean instruments with heavy, noisy guitars and a Nirvana-like rattly bass punch. I fucking love this band.

Big Thief – Cattails

I did something I hadn’t done in years last month and bought a physical copy of a music magazine – complete with a CD of music new and almost-new, hand-picked by The National as part of the press barrage surrounding their, inmho, naff new album. This one… isn’t the Big Thief song that was on their but it lead me to their new album U.F.O.F which has my hypnotised… it’s impossible to pin it down genre-wise but there’s something so… it’s a blissful thing with so much going on that’s perfect for sunny evening to spin, drift away listening  and remembering getting small to.

Sam Fender – Hypersonic Missiles

See… Sam Fender has been cropping up a lot on the one radio station I can stomach listening to these days. I’m gonna say this knowing how old it makes me sound – but this kid is only just 25. There’s a real power to his voice and he’s got some guitar and song-writing chops on him too, bit of Springsteen influence on this one (especially around the two minute mark)- amongst a bucket load of others – but this still fashions a sound of its own that I quite dig.

Gang of Youths – What Can I Do If the Fire Goes Out?

I listen to the radio in both an effort to wake myself up on the commute and not get stuck in a rut with music by discovering something new. I’ve discovered a fair few additions to my record collection that way and I’m enjoying these guys lately. There’s some dark stuff to their lyrics but they manage to get it into a beat and tune that makes for a good listen. I think ‘Let Me Down Easy’ was the one that broke Gang of Youths on radio both here and at home – they folks come from that land Down Under – and this one is another getting turned up in the car etc and, again, wears a Springsteen influence on its sleeve.

Bruce Springsteen – Tucson Train

Speaking of the Boss. There’s a new album due to hit my shelves a little later this month… ‘Tuscon Train’ is the third song released (do they do singles anymore?) ahead of Western Stars‘ release in a week or two (it’s already getting cracking reviews) and is easily my favourite thus far. Really looking forward to this one…

Hello Sunshine

Well, it happened. I thought it wasn’t going to, certainly not so soon after his ‘Vegas residency’ period but I woke this morning to the news that Bruce Springsteen’s new album Western Stars will drop in June.

Given that I was reading the news while dropping the kids off at the pool* it meant I’d pre-ordered before I stood up.

Recorded predominantly at his home studio in New Jersey, this – the first album of new material in five years (seven if you don’t count those heated up left overs of High Hopes), Western Stars, to cite Springsteen’s website: takes his music to a new place, drawing inspiration in part from the Southern California pop records of the late ‘60s and early ‘70s.

“This record is a return to my solo recordings featuring character driven songs and sweeping, cinematic orchestral arrangements,” says Springsteen. “It’s a jewel box of a record.”

Cover art (the first not to feature Bruce’s mug on it since The Ghost of Tom Joad) and track listing have dropped and the first ‘single’ has also been released (not that these things really exist anymore, do they?) too:

Good things:

It’s a return to story-telling Bruce
Album themes encompass a “sweeping range of American themes, of highways and desert spaces, of isolation and community and the permanence of home and hope”
David Sancious
No Tom Morello
It’s been a long time coming – this could go either way: Human Touch was laboured but rushed-releases could use better quality control
The song title ‘Chasin’ Wild Horses’ seems promising on its own to me
“Sweeping, cinematic orchestral arrangements”

 

Bad things:

Ron Aniello
No E Street Band

So… Am I excited? Fuck yeah, I’ve just finished another Bruce series that’s reminded me that there’s always a reason to tune in, even if there are warning signs production-wise.

*curious to see if that reference is known across the various blog-oceans

Spinning The New… 2

Taking a momentary pause from the Pearl Jam series for, as those playing along at home may have sussed our, the final three all dropped between 1993 and 1996 and I thought it was time to take a quick gander at the newer stuff spinning right now.

This is fairly genre-specific. I’m not about to jump any sharks and start discussing Eminem’s ‘diss track’ (this is something that baffles me as a concept) or even start talking about the new Paul McCartney stuff (some of the worst material I’ve heard from the former Fab that didn’t involve frogs). While I have heard the new Smashing Pumpkins track I must have dozed off listening to it so it’s not going to be appearing here.

Mogwai – We’re Not Done Yet (End Title)

Another year another new Mogwai album. Well, sort of. These dons of post-rock have seemingly hit a real stride in terms of output as there’s a been a release per year of late alternating between ‘studio’ and ‘soundtrack’ album. Their soundtrack albums are different to their ‘own’ as the music is, obviously enough, written to suit someone else’s vision / story but each have been strong and worth additions to their catalogue (take Atomic as a prime example). Kin the film would appear to be destined to be seen by nobody: a box office and critical bomb. Kin the soundtrack should be heard by many – it’s a great, moody, sci-fi soundtrack that feels like it could just as easily blend into the background on Stranger Things (yes, I’m a very recent convert all binge-watched up to speed).

Jim James – Just A Fool

Back in 2015 My Morning Jacket were talking up the possibility of a very quick follow up the then-new The Waterfall on the back of how much material they’d written and recorded in those sessions. It hasn’t happened and can’t see it happening any time soon. Instead we got three solo albums from Jim James: one patchy, one a continuation of his covers project and this year’s Uniform Distortion which I picked up from the record store while collecting my pre-order of KinUniform Distortion feels actually like a very fine MMJ album and is well worth exploring.

Kurt Vile – Loading Zones

There’s a new Kurt Vile album dropping later this year and I’ve already got it on pre-order. I got hooked on Vile’s sound following Smoke Ring For My Halo. There’s something hypnotic about Vile’s sound and once you’re hooked.. well.

J Mascis – See You At The Movies

Oddly enough, there’s a direct line between Dinosaur Jr’s J Mascis and Kurt Vile in terms of style and sound and the two have often shared a track. It’s fitting, then, that Mascis has a new solo record dropping this autumn too – his solo work is less wall-of-sound guitar than the Dino albums but he’s started mixing his trademark guitar solos and shredding into his folksier / acoustic solo stuff to strong results so I’m looking forward to Elastic Days – also on pre-order from my not-quite local dealer.

Spinning the New

Blimey, it’s been a while….

I’d been lost composing a post about the Smashing Pumpkins reunion and how much a twatbadger Billy Corgan was but it ended up becoming a meandering rant about music’s biggest knobheads (especially Pete Townshend) and lost its way.

I’ve  recently made a comment along the lines that there’s been nothing ‘of note’ in terms of new music this year only – looking at my Spotify playlists – to be proven wrong and realise that while we’re not quite halfway through the year, 2018 has seen some pretty decent new music find its way into my jukebox. So, to get back in the swing of posting, here’s a bit of this year’s new music I’ve been enjoying.

Lucy Dacaus – Night Shift

I actually found this one after following those ‘related artists’ trails. I love a good slow build song – it’s fairly documented on this blog – and this is just that (it’s past the four minute mark before it all kicks off!) and makes me think of Jeff Buckley in terms of structure and style. The album it’s taken from – Historian – has been massively well received critically and is a joy to listen to. It’s a deep, intricate and beautifully crafted work that’s the aural equivalent of a good, absorbing novel with so many different pieces coming together into one amazing narrative propelled by a wonderful voice.

Spotify Link

Ben Howard – A Boat To An Island On The Wall 

Talking slow builds… I’ve commented on Ben Howard before and since discovering his music I’ve loved it all. Yet I clearly wasn’t paying any attention as he dropped a new album last week that completely caught me off guard. It’s amazing and ticks so many boxes on my list – mood atmospherics, chilled finger-picked acoustics, thunderous and reverb ridden electrics, complex layers… it’s only a matter of time before it’s on my shelves, it’s already on heavy digital rotation.

Spotify Link

Stephen Malkmus and the Jicks – Shiggy

It’s odd that despite how much I enjoyed Pavement, I never really got into or paid any attention to Stephen Malkmus’ solo work. However, the new Stephen Malkmus and the Jicks album Sparkle Hard is thoroughly enjoyable affair (am I alone in hearing Billy Joel in opener ‘Cast Off’?) and it’s a real thrill to hear him get freaky with his guitar again on ‘Shiggy’.

Spotify Link

Toundra – Toureg

In my Five from Spain post I included Exquirla – the collaboration between a flamenco singer and post-rock band from Spain. Toundra is that thunderous beast and their new album – Vortex – dropped earlier this year. I could’ve put any of its tracks on here – they’re all a meaty slab of the good stuff.

Spotify Link

 

First Impressions: Concrete and Gold – Foo Fighters

This bloke from the Foo Fighters looks a bit like the drummer from that band Nirvana, doesn’t he?

Despite the PR, expecting the Foo Fighters to break new ground in 2017, some two decades plus into a career that has seen the band grow from a one-man project to stadium-filling rock heavyweights, would be optimistic to say the least. Since In Your Honour Dave Grohl, however, seems determined to try so we fans have been offered our Foo in separate acoustic and electric discs, a ‘serious musicians’ flavour, with ‘raw analogue’ toppings* and with added documentary options on the side. It’s still been Foo, though, no matter how much Mr Grohl has tried to spice it up. Not that there’s anything wrong with that, mind, but, after There Is Nothing Left To Lose, there’s nothing that really sets aside, say, ‘The Pretender’, ‘All My Life’ or even ‘Rope’ as having been on different albums no matter the supposed narrative rules that rock’s smiliest ambassador has sought to apply to them.

Take Sonic Highways as an example – despite the concept and execution, there was nothing, really, to show in terms of sound or execution that differentiated its nine songs from any of the bands other mediocre cuts**. It’s as though there’s no concept or production technique that could change the established loud-quiet-loud-louder and colossal thump of the Foo Fighters at this stage of their career.

I found the concept behind Sonic Highways increasingly odd given how much time and effort the band had put into building their own studio (Studio 606 West) and HQ less than a decade before and seemingly abandoned after two albums – Wasting Light was recorded in Grohl’s garage. In fact, when Grohl declared that he already knew how the next Foo Fighters album would be recorded and that it was something so exciting that no band had ever done before…. I groaned a little inside. Why couldn’t they just get in their studio – or any studio – and apply themselves to the songs not to achieving some wacky concept?

Thanks to PJ Harvey, it seems, I’ve got my wish. Turns out that Dave Grohl’s ‘big idea’ for Foo Fighters Album 9 was to set up a studio on stage at the Hollywood Bowl and record it live in front of a 20,000 strong crowd. Shame, then, that discovering that PJ Harvey’s The Hope Six Demolition Project had been recorded in the same manner (albeit a far more English approach via an art installation in Somerset House) took the shine off the idea for him.

Instead Dave did what he describes as the most unexpected thing for his band to do and took the Foo Fighters into a big studio – EastWest Studios – and hired a producer to oversee their next album, gimmick-free. Well, I say that… this wouldn’t be a Foo Fighters album in the 21st Century if there wasn’t some form of ‘gimmick’ involved, would it? This time it’s the involvement of producer Greg Kurstin. Picked by Grohl for his work with his own band The Bird and the Bee, Kurstin is perhaps better known for his work with acts like Kelly Clarkson, Sia, Lily Allen, Ellie Goulding, Pink and that moaning banshee’s god-awful radio-melter ‘Hello’. Given the combination of a pop and rock heavyweight’s, the ‘gimmick’ of Concrete and Gold is that it’s being pitched as sounding like “Motörhead’s version of Sgt. Pepper.”

So…. does it? Of course it fucking doesn’t. Don’t be daft. But….. it takes a very very good stab at doing so and feels pretty much unlike anything else Dave and his merry men have done before. Yes, the sound is unmistakeably Foo but this time around the band are stretching out in ways they haven’t before and deliver plenty of unexpected and, frankly, great twists to deliver an album that offers  psychedelic, prog-metal, abstract, heavy and, yes, Beatles-esque shades against a Foo Fighters sound that is, for the first time in a long time, suitably balanced and mixed by a producer.

Kicking off with a short throwaway ripped apart by a heavy rocker will inevitably draw comparisons to The Colour and the Shape but ‘T-Shirt’, for all it’s brevity, is a superior song to ‘Doll’ and pushes Concrete and Gold‘s confidence and palette front and centre and – even after maybe a hundred listens at my son’s request – ‘Run’ is an out and out fucking BEAST that ranks as one of the Foos’ best:

‘Make It Right’ offers more than the straight-ahead rocker it initially suggests itself to be, there’s a funk of a groove behind it, unexpected chord changes and a surprising slab of background harmonies that when combined bring, to my mind that is, Aerosmith’s Draw The Line*** album. Initially I’d been slightly less impressed by ‘The Sky Is A Neighbourhood’ when catching the videos of its live reveals but the album version, along with many of the tracks here, shows that – despite their straight ahead live mode – on Concrete and Gold the Foos have actually become a studio band with plenty of unusual-for-Foo song structures and production choices that blend so well. Take the strings that slip so unobtrusively into ‘The Sky…’ as to change a song type they’ve churned out many a time before into something that genuinely lifts skywards.

‘La Dee Da’ falls into the same category for me – I wasn’t impressed by it’s live rendering but, away from the bludgeoning and sonic flattening of radio too, on Concrete and Gold I ‘get it’. If it’s Fab Four you’re after, there’s one of em on ‘Sunday Rain’ – as Taylor Hawkins is too busy singing this spacey (seriously, check out his ‘Range Rover Bitch‘) rocker, Sir Paul McCartney plonked down the drums. Sequentially it’s a good fit because, to my ears, the preceding ‘Happy Ever After’ makes me think of ‘Blackbird’ or one of Macca’s early solo melodies.

‘Dirty Water’ is an early favourite for me; it brings forth sounds of both early Foo Fighters, a playful lightness and airy feel (and, again, some real Beatles tinges) but is bolstered by something sharper and more focused that comes from both a more practised song craft and production that, despite its length, it remains on track and charm. In that respect it serves as a strong summary of the album as a whole.

Concrete and Gold doesn’t quite achieve the premise of its PR but show me an album that does. It does, however, stand apart in the Foo Fighters cannon and is the sound of the band playing to those highs and strengths its achieved during its ascent to stadium rock act while also stretching out enough sonically to both refresh its sound and offer a welcome hand to those fans like me that had begun to wonder if Dave Grohl had anything interesting left up his sleeves. Turns out he does.

I hadn’t pre-ordered this one but I’m already on my third listen of Concrete and Gold and haven’t skipped a track left. For all his efforts to make a ‘concept’ of an album, Dave Grohl has, when he wasn’t even trying to, created a fucking belter of a Foo Fighters album that works not just track-by-track but as an album in itself. Well worth a listen or three.

 

*I’ll put this out there: Wasting Light is the best Foo Fighters album to date.

**Concept over substance unfortunately applies to the album and I wouldn’t slip any of its tracks onto a ‘Best of’ comp.

***Underrated.

Currently Listening

Mondays are nobody’s friend. Here’s a few more of those current and (mostly) new spins that are going through my ears of late and today.

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The War On Drugs – Strangest Thing

Another song released ahead of the incoming A Deeper Understanding album and another beautific slice of guitar driven wonder from The War on Drugs. I’m starting to think that the new album might be more addictive than Lost In The Dream‘s vibe was.  Adam Granduciel’s voice has more than a hint of Dylan’s nasality and the sound and that guitar work…. gorgeous.

Broken Social Scene – Halfway Home

Broken Social Scene’s new album Hug of Thunder is not only an excellently titled slab of alt-rock but is real testament as to what a large musical collective (between six and nineteen members at times) can do when coming back off a break without disappearing up their own rectums like a certain other large musical collective beginning with A and ending with rcade Fire seem to have done.

Waxahatchee – Never Been Wrong

I got 2013’s Cerulean Salt using my itunes voucher haul but kinda forgot about Kate Crutchfield’s music since in the tide of more new music and discoveries but am now enjoying her new album Out In The Storm.

Radiohead – I Promise

OKNOTOK the OK Computer revisit is just sublime. In amongst the remastered original album and wealth of b-sides there’s three unreleased tunes all dating to the period between The Bends and OK Computer.

‘I Promise’ is the stand out of those for me. First showcased while they were opening for Alanis Morissette (yup, you read that right), the band didn’t think ‘I Promise’ was strong enough or that it didn’t fit vibe for OK Computer, left it and didn’t play it again for a couple of decades when, they played it again last month and Thom York said “What a bunch of nutters we were, and probably still are. One of the things — one of the crazy things we did — was not release this song, because we didn’t think it was good enough.” At the time it probably would have taken over the radio but it’s so atypical of where they were and were heading and was too pure pop and sunlight in comparison. It didn’t fit then but now, as one review puts it, it’s like “an exquisitely faded Polaroid.”

In another perfect life….

Holy crap balls.

As the caption says “SURPRISE! Run. Our new song. Video directed by Dave Grohl. Turn it up”

Foo Fighters dropped a new song (their first new music since 2015) this lunch time – whether it’s from an upcoming album hasn’t been confirmed but after another new song was played live recently and given that the band have a very heavy touring itinerary lined up with a few festival dates in the mix it would be a very safe bet.

I’m a few repeated listens down the line already and I’m really enjoying this one. Better than anything on Sonic Highways. It’s ambitious, catchy as the flu and bloody good. The video is a blast too.

 

New Songs from Old Friends

Crikey; I thought 2017 would be a slower one for new releases than last year but here we are while the year is still fairly young and the pre-orders for new albums are starting to tempt…

Leaving aside Radiohead revisiting OK Computer (because we’ll come to that soon enough) there’s shiny new albums (or white or indies-only clear) confirmed from a few old favourites  with new tracks already buzzing in the ears.

The National – The System Only Dreams in Total Darkness

It’s been four years since Trouble Will Find Me. Four. ‘The System Only Dreams in Total Darkness’ is, aside from a title like  Philip K Dick novel, more direct and immediate than anything on that album – no slowburn, just aggressive and urgent – and is the first release from Sleep Well Beast due in September.

Mogwai – Coolverine

Also dropping in September is Mogwai’s just-announced Every Country’s Sun. The untouchable Glaswegian post-rock legends are on a real flyer at the moment with a good five years of solid releases following 2011’s Hardcore Will Never Die, but You Will – soundtrack Les Revenants (2013), Rave Tapes (2014), compilation Central Belters (2015) and soundtrack, again, Atomic (2016) proving essential additions to my collection. Always good for track name’s Every Country’s Sun – along with the already shared ‘Coolverine’ features tracks called ‘Brain Sweeties’, ‘1000 Foot Face’ and ‘Don’t Believe The Fife’. Cannot wait.

The War On Drugs – Thinking of a Place

While there’s no album confirmed or named, it can only be a matter of time before the follow up to 2014’s hypnotising Lost In The Dream is announced. If this teaser is anything to go by it’s going to be great.

Pearl Jam – Again Today

So I’m not even familiar with Brandi Carlile but her 2007 album The Story has been covered by a variety of artists fora sort of 10 year celebration called Cover Stories with all proceeds going to War Child UK. Pearl Jam have contribute their take on ‘Again Today’. The original is a much quieter thing whereas Seattle’s finest hit it at full speed.  While it’s a cover it’s good to hear something new from Pearl Jam as the ticking clock continues to put distance between now and their last album and they’re definitely one of those bands with a knack for a good cover (almost a post in itself).