“It’s the same everyday and the wave won’t break
Tell you to pray, while the devil’s on their shoulder”
World Wide Suicide
During the tour for Riot Act Pearl Jam began to take a lot of flack and boos for daring to play ‘Bu$hleaguer’. At Nassau Coliseum in Uniondale, New York, the reaction was particularly adverse but the band persevered and were emboldened by the reaction. As Jeff Ament said “I actually walked off stage and felt great. That was a brand-new experience. Killer. We got booed standing up for something we wholeheartedly believed in.” So much so, in fact, that Pearl Jam joined Bruce Springsteen, REM and a host of other bands on the Vote for Change Tour in 2004 in support of John Kerry’s Presidential run and, for a brief moment, it looked like the tide may turn against Bush.
However, come November 3, 2004, Vedder “didn’t get out of bed. However, while I couldn’t get myself out of bed, I heard that Springsteen on that day was making a call to someone he makes records with, saying ‘I have to make a record.'” When Vedder and Pearl Jam did get to the studio a few weeks later the tunes came out on fire: ‘Life Wasted’, ‘Comatose’, ‘Severed Hand’ and what would become ‘World Wide Suicide’ all came from the bands first sessions for their eighth studio album.
And yet… while there were a good dozen songs being worked up, it began to be clear to the band that, by early 2005, the album wasn’t on track to be ready by the end of the year. “I think that came from the guys affording me the extra time to write, and my needing more time to write,” Vedder would later recall. There was also the fact that Vedder had a child during the process. So, for the first time in their history, Pearl Jam broke the album-tour-album-tour cycle and headed out on the road for a series of shows with no new music to promote. Realising that simply playing shows without the onus of promoting an album could prove a lot of fun, the shows from this tour sound like a band at its peak and they’d continue this practice in years to come. “We were separating the touring aspect of the band from the recording process. We could go out, be Pearl Jam, and tour.”
New songs would be debuted – ‘Gone’ was first played in Atlantic City the day after it had been written -and honed as well as written – Mike McCready demoed one of his finest songs, ‘Inside Job,’ on Vedder’s tape machine in South America – during the 2005 tour and the shows from this tour are well worth checking out.
When recording sessions got back under way and the new material began taking shape from the 25 songs written, it became clear that this was a very targeted album with Vedder’s lyrics aimed squarely at voicing his disgust at the Bush administration “through telling stories… an observation of modern reality rather than editorializing, which we’ve seen plenty of these days.”
It also started to look like album eight was turning into that divisive rock staple – A Concept Album. It was only sequencing that prevented it: “We tried one [sequence], and it just absolutely didn’t work. That was the one that told a story…. You could have tied it all in with a bit of narration… It was interesting to think, ‘Severed Hand’ – is that the same kid who ends up being the army reservist?”
When Pearl Jam released their eighth album in May 2006 it didn’t have a title – “In the end, we thought there was enough there with the title of the songs, so to put another title on the album would have seemed pretentious. So, really, it’s actually Nothing by Pearl Jam.” The album that fans would refer to as Avocado* was released on J Records – still a major, Sony-owned label (probably why it’s proven impossible to find videos to embed in this one, those litigious bastards) – and was their second produced by Adam Kasper. It’s their most aggressive, straight-ahead record since Vs, represented something of a comeback in terms of both quality and commercial appeal, launched a tour that I would argue captured the band at their absolute peak and – much like Vote for Change Tour alumni Springsteen’s ‘Bush album’ Magic – is a real late-career gem.
‘Life Wasted’, ‘World Wide Suicide’, ‘Comatose’ and ‘Severed Hand’ make for as hard a hitting opening series of tracks as the band have ever put to tape and bristle with a raw edge and determination that had been missing from the band for a couple of albums at this point. As Gossard said: “It doesn’t sound slick or that we polished it for too long. That’s the main thing, really, politics aside. The song just has some energy in it.”
Elsewhere on Pearl Jam, ‘Parachutes’ has a No Code vibe to it and it, along with ‘Come Back’ – the album’s sole ballad -and ‘Gone’ deal with more general, universal themes. Personally I love a huge amount of this album and think it’s the last consistently solid album the band have made to date – there’s not a song here that I’ll skip when playing and I still crank it up loud.
Granted; the diversity that made some of their earlier albums so compelling is missing, but the force and energy that enthuse this baker’s dozen of songs is undeniable. There’s a real ‘classic’ feel to this album and the tour that followed showed just how seamlessly these songs blend with the strongest elements of their back catalogue. Of the many Pearl Jam bootlegs in my collection, a good six or seven are from the 2006 tour and represent some of their finest shows – especially the five shows in Italy that would be captured on the Immagine in Cornice DVD and the Turin concert that featured the new album played through in its entirety.
I remember when Pearl Jam first dropped, having the distinct impression that it would be a ‘grower’. That’s definitely true. In the ten years plus that have passed since its release this album has certainly grown on me with every listen and new details appear with each investigation. I’m not sure why I don’t rank this one higher in the list – perhaps it is the lack of diversity in the sound. Then again: I’ve recently been spinning the 2017 remaster which was remixed by Brendan O’Brien which adds a significant amount of extra heft to the sound… but then I’m basing this on original versions otherwise I’d need to go back to the drawing board.
Highlights: ‘Life Wasted’, ‘World Wide Suicide,’ ‘Severed Hand,’ ‘Army Reserve,’ ‘Inside Job’.
*Mike McCready: “That symbolizes just kind of … Ed’s at the end of the process and said, ‘for all I care right now, we’ve done such a good job on this record, and we’re kind of tired from it. Let’s throw an avocado on the cover.’ I think that’s what happened, and our art director goes, ‘hey, that’s not a bad idea.’ I think we were watching the Super Bowl, and we had some guacamole or something.”
7 thoughts on “Least to Most: Pearl Jam – Pearl Jam”
This one is really interesting for me in terms of timing. I was raised in a conservative home, and was not much of a rebellious kid. It wasn’t until I was about 20-21 that I started to form my own opinions separate from my parents, and this record seemed too far for me to reach at the time. It didn’t land with me right away. It took awhile for me to really give it a fair listen. One of me favorite Pearl Jam songs of all time comes from this record: Marker In The Sand.
I don’t know this one as well as I maybe should. I heard it on release and lived with it for about a week before deciding I didn’t like it. I was hugely disappointed by it and remember vividly a discussion with my mate about the depth of my disappointment. He thought I was a bit daft.
I’ve never revisited it. Not once. Probably is a bit daft, but Backspacer and Lightning Bolt hardly inspired me to reassess my feelings.
I have the Brendan O’Brien mix here somewhere (my mate still trying to convince me it’s a worthwhile album) and I think (think) it’s a strong possibility I’ll give it a listen soon. Like this week. You’ve made a good case for doing so.
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I’ll have to bracket some time for this one. I like their music and it’s all going to be in the wheelhouse unless they do a 180.
I think they’ve reached that point in their career now that they’re a safe bet against that. I once said that I still think they have their greatest album in them and always hold my breath but I think they’re too aware of their legacy and fanbase’s dedication (and how that keeps them in a touring job) to try anything too silly by now and will give solid enough new albums if nothing HOLY SHIT THAT’S AMAZING… but I’m often wrong (as my wife will confirm)
I ate up the first 3 albums and will be featuring one of those soon. That “Holy Shit” hit me when I first heard them. I already had a truckload of music when I stumbled onto these guys. Their energy, sound and that hard edge is what got me. I still go back to it. Plus they just seemed to me not to be pretenders. That wife thing will get better.
There should be a more emphatic ‘Like’ on this.
I vividly recall my first encounter with Pearl Jam… though that’s all to come in the series.