I actually have a memory from 1982 – and it can really only be 1982 or 83 -but it’s not music related. I can’t claim that I was sitting under a piano and singing Beatles songs in my second year on this planet.
So I have no memory of either hearing music or music news from 1982 such as that about the bloke from Birmingham , who’d already bitten the head off a dove in ’81, doing the same to a bat in January 1982. Of course he claimed he thought it was rubber but you’ve got to be fairly off your tits not to be able to tell the difference between a squeaky toy and a live mammal. 1982 wasn’t his year as he’d be arrested a couple of weeks later for taking a leak on something called The Alamo…
At the same BB King decided he didn’t need his record collection and donated the lot – some 7000 rare blues records. I suppose it saved money on IKEA Kallax units.
In March, Billy Joel came off his motorcycle and dinged himself up pretty good – he’d spend more than a month in hospital undergoing physio on his hand which must’ve gone well judging by the quality of The Nylon Curtain…
I don’t really care for Black Sabbath or Ozzy but he seems to have been dominated music headlines in ’82. His guitarist Randy Rhodes was killed when the plane he was in crashed after buzzing Osbourne’s tour bus. A few months later Ozzy would get married and, presumably, start bellowing “Sharon!”
Pink Floyd released the movie version of Waters’ diatribe The Wall which mixed the egos of Waters and director Alan Parker to mixed results.
My favourite bit of music trivia from 1982 though is the point at which, fearing poor ticket sales for a tour in support of Combat Rock, Joe Strummer was convinced to “disappear” – his manager suggested Strummer ‘vanish’ and stay in Texas for a couple of weeks. Instead, Strummer genuinely disappeared for a couple of months – choosing to run the Paris marathon (he claimed his training consisted of drinking 10 pints of beer the night before) and “dick around” in France. The Clash were falling apart with tension – Topper Headon would be fired in ’82 thanks to his cocaine addiction – and Strummer would later say he regretted his vanishing act. Though he would later run the London marathon without any training too.
In 1982 it was goodnight from ABBA, Bad Company, The Blues Brothers (this was the year John Belushi died), The Jam and Blondie (until 1997 that is). Meanwhile American Music Club, A-Ha, James, Public Enemy, The Smiths, Swans and They Might Be Giants all formed in 1982.
So what dropped album wise in ’82? I’ve already mentioned a couple – The Clash dropped their best-selling album Combat Rock in July – it features their biggest singles too in ‘Rock the Casbah’ and the Stranger Things favourite ‘Should I Stay or Should I Go’ and the formidable ‘Know Your Rights’:
There were quite a few albums from artists that feature within this blog’s orbit in 1982 including the first Sonic Youth album and the debut EPs from both R.E.M and the Replacements – though neither could really, honestly, be called the band’s best work. Split Enz dropped Time and Tide in April of ’82 and The Cure released Pornography shortly after. George Thorogood & The Destroyers released their fifth album, Bad to the Bone which continues to thrill me a considerable amount more than Thriller (also released in ’82) ever did. B-b-b-b-b-b-b-bad:
The year also saw the previously mentioned Nylon Curtain by Billy Joel which features one of my favourite tunes by the piano chap, ‘Goodnight Saigon’.
Kate Bush dropped her least commercial album, The Dreaming, which was full of highlights and served as the perfect bridge to The Hounds of Love… Prince released the extremely commercial and massive-selling 1999 while Neil Young pushed out Trans which was so noncommercial in its orientation that it was one of the albums used by his label Geffen in their lawsuit against him for producing wilfully unrepresentative and noncommercial material. Oh, and Aerosmith released the appropriately named Rock In A Hard Place. Well, I say ‘Aerosmith’… even Joey Kramer doesn’t consider it a proper entry in the band’s catalogue – “it’s just me, Steven, and Tom — with a fill-in guitar player.” It’s not entirely without merit – ‘Bolivian Ragamuffin’ has a real groove to get stuck on and both ‘Jailbait’ and ‘Lighting Strikes’ are decent tunes (the latter featuring Brad Whitford on guitar, presumably recording his rhythm parts on his walk to the door) but were I to tackle Aerosmith on a Least to Most… this would be the least.
Now in terms of albums that do feature high on my personal favourites list… Tom Petty and the Heartbreakers released Long After Dark which features ‘Straight into Darkness’, ‘ A Change of Heart’ and ‘You Got Lucky’.
And then there’s Nebraska. Once of Springsteen’s finest albums, his first ‘solo’ album and his most stark in terms of subject and sound…. it really, really should be the featured album on this list…. but I’ve written about it exhaustively as part of the Springsteen Least to Most series and rules are rules. So… it looks like a second entry on the list for one band:
Dire Straits – Love Over Gold
It’s fitting really. For a while I questioned whether this should be the choice for this year but there’s a number of factors that mean Knopfler and co’s fourth album sits here for ’82; It’s an album I heard a huge amount of in my youth and growing up thanks to my Dad’s penchant for the band. So much so that down to the fact that his record had a skip on the “I’ve seen desperation explode into flames and I don’t wanna see it again” in ‘Telegraph Road’* that I got so used to that I still expect the skip when listening on CD or online.
As part of my debating whether to go with this album for 1982 I listened to it in full, again, and realised that I didn’t need to be questioning it – it’s not only a bloody strong album but it’s one that resonates with me on so many levels and is part of what formed my tastes moving forward. ‘Private Investigations’ was one of the first things I set about learning on guitar and will still go to from time to time – especially if I pick up the old ‘classical’ guitar out of the garage. Combined with ‘Telegraph Road’ it makes for a faultless Side A:
Love Over Gold is, to me, the final ‘classsic’ Dire Straits album. There’s still a very quintessentially English element about it and it’s sound and writing are less direct and radio-ready than the Brothers In Arms era that would follow. It’s the final of those early albums before ‘Money for Nothing’ threw them into bigger venues and TV sets around the world and the scale that would lead to Knopfler walking away began to build.
The music and sound benefits from the addition of Alan Clarke on keyboards – wider and more intricate sounds that mark a natural and real development on that of Making Movies – just listen to the interplay between the two on ‘Love Over Gold’:
The sheer power and length of the two songs that make up Side A do mean that trio on Side B are often overlooked, much as the album itself – sitting between Making Movies and Brothers In Arms – can be. But the title track, ‘Industrial Disease’ and ‘It Never Rains’ are far from filler.
As much as I understand Knoplfer’s reasons for not attending the Rock and Roll Hall of Fame ceremony and his disinterest in reforming – I do wish that this era of the band (before it became about headbands and filling the largest venues) could get the revisit and attention it deserves.
*Side note/ pub quiz / music trivia point: Jon Bon Jovi, of all people, is also a Dire Straits fan – he was working at his cousin’s record studio (The Power Plant) when Making Movies – and has admitted to ripping off ‘Telegraph Road’ with ‘Dry County‘.