And if you hear as the warm night falls The silver sound from a time so strange…

It’s strange how we can sleep on certain things musically. Atom Heart Mother not being one of those Pink Floyd albums I spin as regularly as it deserves (its ambition let down by realisation perhaps) means that while I’ve listened to David Gilmour’s previous two live albums upon which it featured, I must have dozed off.

Then again, I may not have been the only one. In the same way that Mr Gilmour opted to step outside his usual approach for the recording of Luck and Strange he took the same tact with the live band that he took out on a run of shows to support it: “it was all too robotic, and some people would have been better off in a Pink Floyd tribute band. So I thought we’d get people who are genuinely creative and give them a little more space.” Which had kind of been my feeling listening to Live In Gdansk.

So it was that on Saturday past, with the intensity of this current heatwave bearing down outside, that I found Live at the Circus Maximus was up on that video streaming service named after a South American river. On it went.

Of course, judging by the preamble you know where I’m going here… but being lulled into a drift-off fuelled by heat and IPA during the organ solo, the gear change going into the guitar solo was much harder hitting. Having listened back to previous live takes on it, I still stand by this one being the best to date, no doubt thanks to the addition of guitarist Ben Worsley and drummer Adam Batts to the band.

Anyway, here’s the original and then the latest live version:

In the middle of the week, I go listening in my sleep… Mid-week

Here we are, Wednesday already and closing in on the point at which it’s all downhill to the weekend. With the unseasonably scorching weather lowering – 33/35 degrees plus* in May is a sure sign of a fucked climate – it feels like a suitable moment to take a pause and ask you to lend me your ears once again so that I may share with them those songs that have been occupying my own.

Still Corners – Midnight Driven

Slowdive – No Longer Making Time

Still Corners are a recent discovery for me – via that dreaded combo of streaming service and recommendations. While I’ve since explored a lot of this British / American duo’s music, ‘Midnight Drive’ is one I keep going back to. The same could probably be said for the entirety of Slowdive’s self-titled 2017 comeback album. While I adore their back catalogue, that album just continues to hit the sweet-spot every time, especially when driving in sunny weather. Keeping the vibe going with Blonde Redhead feels like a natural progression…

Blonde Redhead – 23

I’ve surprised myself with the realisation that I’ve not plonked any Blonde Redhead here before. They’ve been a mainstay in my music library for many years now and their album 23 is as close to perfect as they’ve gotten.

Something new from Kurt Vile? I’m always going to be tuning in for that. Wakin On A Pretty Daze is one of those albums that I go back to time and time again and he’s one of those artists that continues to delight with each new release. Philadelphia’s been good to me is about to drop on Friday and ‘Chance to Bleed’ is another cracking tune from the man with the least pleasant adjective for a surname.

Kurt Vile – Chance To Bleed

Louane – Chiens

Girls In Hawaii – Is It Happening Right Now?

I’m lucky enough to live on the part of this cranky island that’s closest to France. So whenever we get a few miles closer to the coast I’m able to pick up RTL2’s FM signal on my car’s radio. Doing so a few weeks back bought Louane’s ‘Chiens’ to my ears where it’s been lodged since. A surprisingly upbeat tune for one dealing with escaping a toxic relationship.

I’d been wondering what Belgium’s Girls In Hawaii were up to – it’s been nine years since their last album and a while since they last toured to support the anniversary of their debut From Here To There it’s been very quiet- and, lo and behold, they’re back in action with a very focused, energised new song and an album dropping in September.

Bruce Springsteen – Atlantic City (Electric Nebraska Version)

Yeah, a little more Springsteen but it’s not like that ever hurt anyone is it? I’ve spent so much time with the recent Nebraska ’82 box that it’s barely back in the record rack before I take it out again. Aside from the wealth of unreleased cuts like ‘On The Prowl’ or ‘Gun in Every Home’ the mythical Electric Nebraska element is a delight. From the off, ditch your expectations – this isn’t a full-band run through of all the album’s tracks. There a subtle, full-band, takes on the title track for example, but a lot of the tracks are power-trio style blast throughs and while ‘Atlantic City’ has long been played live by the full band, this version adds a different nuance, some twists to the lyrics and keeps the harmonica part that would be replaced by a synth line when performed later.

Elbow – Kindling

The more I delve into Elbow the happier I am. Much like Wilco, they’ve been consistently releasing great albums with flourishes of excellence and Guy Garvey remains a brilliant lyricist able to conjure up a landscape with the slightest brush stroke: “Then my telephone shakes into life and I see your name, and the wheat fields explode into gold either side of the train.”

*celcius, of course. Or 91 for those with their own made up temperature scale.

Turning Pages: Another 50 Great Reads

What better way to try and get back into the swing of posting more frequently than with a list? We all like lists, right?

Some time ago – December 2018 in fact – I put together a list of 50 of my then favourite works of fiction. Time has passed, more has been read – given I’ve averaged a good 30 books a year in the intervening rotations around the sun I’ll let you do the maths – and I’ve put together a second part to that list to bring it up to an even 100, just in time to share publication with The Guardian’s own list of ‘100 best novels of all time

So, once again, in no particular order other than alphabetical:

From the City to the Plough – Alexander Baron

The Troublesome Offspring of Cardinal Guzman – Louis de Bernières

The 7th Function of Language  – Laurence Binet

2666 – Roberto Bolaño

The Passenger – Ulrich Alexander Boschwitz

The Plague – Albert Camus

The Outsider – Albert Camus

The Amazing Adventues of Kavalier & Clay – Michael Chabon

The Story of a Nobody – Anton Chekhov

The Killing Floor – Lee Child

The Courier – Kjell Ola Dahl

The Sisters Brothers – Patrick deWitt

All The Light We Cannot See – Anthony Doerr

The Brothers Karamazov – Fyodor Dostoevsky

The Three Musketeers – Alexandre Dumas

The Invisible Man  – Ralph Ellison

Little Man, What Now? – Hans Fallada

Madame Bovery – Gustave Flaubert

Love in the Time of Cholera – Gabriel Garcia Márquez

Lord of the Flies – William Golding

The Dream Life of Sukhanov – Olga Grushin

Fiesta: The Sun Also Rises – Ernest Hemmingway

Saturnin – Zdeněk Jirotka

Out – Natsuo Kirino

The Road – Cormac McCarthy

Blood Meridian – Cormac McCarthy

IQ84  – Haruki Murakami

The Wind Up Bird Chronicle – Haruki Murakami

The Snowman – Jo Nesbø

The Sympathizer – Viet Thanh Nguyen

The Housekeeper and the Professor – Yōko Ogawa

Small Gods – Terry Pratchett

All Quiet on the Western Front – Erich Maria Remarque

Cather in the Rye – J.D Sallinger

Nausea – Jean-Paul Satre

Women – Mihail Sebastian

White Teeth – Zadie Smith

The Moon is Down – John Steinbeck

Dr Jekyll and Mister Hyde – Robert Louis Stevenson

Lady Joker – Kaoru Takamura

The Makioka Sisters – Jun’ichirō Tanizaki

The Secret History – Donna Tartt

Anna Karenina – Leo Tolstoy

A Confederacy of Dunces – John Kennedy Toole

Rules of Civility – Amor Towles

Around The World in Eighty Days – Jules Verne

Laurus – Eugene Vodolazkin

Breakfast of Champions – Kurt Vonnegut

Stoner – John Williams

How Do You Live? – Genzaburo Yoshino