Thursday now, that’s such a crazy, lazy day…. current spins

A whole month between posts…. this is getting pretty sporadic to say the best.

Thursday is a pretty good day really – the weekend is just a nad hair away and it’s time to load up on caffeine and hit up Mr Fyfe’s weekly quiz. It also feels like a good moment to cast an eye / ear over what I’ve been enjoying of late.

Pearl Jam – In My Tree (Live at Melbourne Park)

Record Store Day this year was a bit of a non-starter for me. I spent a couple of weeks of this last month barely able to walk thanks to severe knee pain – caused by what turned out to be something called a Baker’s Cyst* – so the notion of getting up at a dirty time of the morning and standing for hours was ruled out. Thankfully the one thing I had my eye on wasn’t this year’s big draw – seems like Pearl Jam aren’t as popular with RSD crowds as Taylor Swift or The 1975 – and I was able to wander down at a much more human time of 11am and find plenty of them left.

Give Way – the sign used in place of Yield in most places outside of the States especially Australia – is a live album that’s long been sought after. It was originally prepped for CD release as a freebie for early purchases of their ‘Single Video Theory’ but minds were changed at the last minute and 55,000 copies were ordered destroyed. Some escaped the cull and became massively valuable. Twenty five years later as part of Yield‘s anniversary (one of their finest and ranked fourth in my list way back when) and the concert – recorded March 5th in Melbourne Park – was unleashed for RSD.

A live Pearl Jam album is always worth wrapping your ears around and this one is another brilliant addition to their already strong selection – it’s a real showcase for Jack Irons’ drumming and the vibe his looser drumming style bought to the band. Sadly the run in Australia would be Jack’s last as he was battling a lot of mental health issues behind the scenes and would soon announce his decision to part ways with the band following the tour – he’d be replaced on the Yield tour by Matt Cameron, documented on Live on Two Legs.

Paul Westerberg – Mannequin Shop

My son is building up a Spotify list of his ‘favourites’ – though this is more any song that takes his fancy. We recently caught ‘Waiting for Somebody’ in the car and it made me dig out Westerberg’s 14 Songs for a spin – it’s still a solid listen but it’s the delightful take on the plastic surgery of the early ’90s that has been stuck in my head since. Much in the same way as I wonder how the writer of ‘Answering Machine’ would feel about today’s lack of real communication I’d have to wonder how Mr Westerberg would feel about the state of enhanced vanity in 2023. Unfortunately though, Paul seems to have gone to ground again.

Adé – Insomnies

I popped over the channel again this weekend past for a couple of days and have been keeping an ear to RTL2 since both to assist with the language learning and the variety of music – it seems hard to find a station here that plays as genuine a variety (though their obsession with Harry Styles and Ed Sheeran gets annoying) . Last summer I heard Adé’s ‘Tout Savoir’ a lot and, this trip, it seems that her song ‘Insomnies’ is the current radio player and another I’ve been enjoying.

Daughter – Be On Your Way

Daughter’s new album Stereo Mind Game is bloody good. Gorgeous sounds and arrangements with Elena Tonra’s vocals breathing through an album of lush shoegaze / moody indie-rock vibe.

Slowdive – When the Sun Hits

Speaking of lush shoegaze… I picked up Slowdive’s Souvlaki recently and have spent many a glorious spin lost in the warm blanket of sound it generates.

Silver Moth – The Eternal

One of those albums I hit pre-order on as soon as it was announced – Silver Moth are a band formed out of a few online conversations during the pandemic. Only members Stuart Braithwiate (of Mogwai) and his wife Elizabeth Elektra had met before they hit the studio on a remote Scottish island and recorded Black Bay in just eight days. It’s a bloody strong album – a multilayered beast of slow-burning yet immediate songs that combine its members’ shoegaze** and post-rock dynamics with two vocalists who’s vocals find a place between Kate Bush and Elizabeth Fraser.

Faith No More – Epic

Another one of those ‘hey, if you like this one, check this out’ conversations with the cub after picking up a 7″ of ‘Easy / Be Aggressive’ recently. There’s very little like this and it remains a fucking awesome tune some (gulp) thirty four years later.

Stevie Ray Vaughan – Texas Flood

Texas Flood is forty years old this year, which is as little a reason as I need to have been giving this one some attention.

*whether this is something first experience by a chap called Baker or those spend their time kneading dough develop the issue I don’t know.

**third and final mention.


13 thoughts on “Thursday now, that’s such a crazy, lazy day…. current spins

  1. I’ll give these a spin later. But I think the blogosphere has assumed that your absence was based on the joy you felt in your heart in the run up to the coronation and the general weeping as you pledged allegiance to King George, er, Charles. I’m pretty sure I saw you out there waving a little Union Jack.

  2. Nice selection of tunes. I didn’t know any except SVR who I always love listening to. That Westerberg song makes me curious to check out the entire album. I still have a lot of Replacements territory to explore. There’s just not enough time! I’m also kind of intrigued by the Adé tune. I rarely listen to French music. Did I mention lack of time? 🙂

    • I’m not sure if you found a moment to mention it.
      14 Songs is a cracking album…. for the most part. A little trimming would’ve made it essential as it is t remains bloody good

  3. I love Epic. Most bands in that territory sound pretty failed, but it holds up really well.

    Mannequin Shop has never jumped out at me from that record. It’s a shame it didn’t break him into the mainstream – it’s a good record with a strong lead single.

    • Bang on on both fronts.
      I could talk Westerberg for hours but, much like the Replacements, I think it was a case of some problematic production and a seeming reluctance on his own behalf to embrace the opportunity. Such a damn fine songwriter

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