Time keeps on slippin’, slippin’….

Before even attempting to catch up here I thought it a good hit of post-rock would be a suitable way to try and blow the cobwebs off just as I employ the genre on a Monday morning to ease the kick in the jewels that the start of the week resembles.

As it happens, there’s been a glut of great new post-rock recently that’s been working its magic in my ears but before we get to that, here’s another wonderfully daft attempt at defining the genre:

“Post-rock is a genre of music characterized by its use of rock instrumentation for non-rock purposes, often emphasizing atmosphere, texture, and mood over traditional song structures and lyrics. This style frequently incorporates elements from various genres such as electronic, ambient, and experimental music, resulting in a sound that is expansive and cinematic in nature.”

Hm, much beard-stroking.

Godspeed You! Black Emperor – Grey Rubble, Green Shoots

Yeah, let’s start it with the biggest of bangs. How good is the new Goodspeed You! album? It’s fucking glorious – it’s vast, grungy, majestic, it’s powerful and sweeping in its scale and, on the few listens I’ve been able to fit in since it dropped on Friday, sits strong in their catalogue. It’s title – No Title as of 13 February 2024 28,340 Dead – a reference to the number of dead Palestinians in the Gaza Strip.

Mogwai – God Gets You Back

New Mogwai is always a reason to sit up and pay attention. While the announcement that accompanied the release of new song ‘God Gets You Back’ (another random title) was that of a tour, all signs point to new album to follow and this one manages to feel like a much-desired combination of their soundtrack work with their ‘usual’ sound.

Exxasens – Space Collapse

New Exxassens? Space-themed samples? Thunderous beats? Oh sign me up mate.

Public Service Broadcasting – Arabian Flight

I’m relatively sure you can sneak a chunk of Public Service Broadcasting’s music into this category. While I haven’t jumped on board with every album they’ve done when their combination of predominantly instrumental music to accompany archival samples hits my interests I’m in. Previously this was with Race for Space but their new album The Last Flight – chronicling Amelia Earhart’s final attempt – fits into that category too and has already had a couple of spins here.

Jambinai – once more from that frozen bottom

Not strictly ‘new’ but very new to me as I only recently discovered the South Korean band’s 2022 ep apparation and there’s nothing but love from me for their combination of heavier post-rock with traditional folk instruments.