Monday Tunes: Scorchio

Boy it’s a hot one – 32 degrees and more to come. While I try desperately to limit the typical ‘hot enough for you?’ comments and moaning about it being too hot that usually pervades conversation in this country (I fucking love it, any weather that means my thermostat isn’t kicking in and letting the electric company bend me over and shaft me like I’m in prison is a boon), I figured it time to ask, once again, to borrow your ears and mutter about that which has been filling mine of late.

PJ Harvey – The Glorious Land

I went back and forth with PJ Harvey’s Let England Shake album but recently something about it clicked, perhaps it was hearing this song afresh, perhaps it was feeling a similarly scathing view of the country, perhaps it was just one of those things where your ears are just ‘open’ to something at the right time. Either way, I’ve been enjoying ‘The Glorious Land’ a fair bit recently.

Regina Spektor – Better

Lola Young – Messy

Picking up the recent repress of Regina Spektor’s Begin to Hope felt like an ‘orange flame’ time machine back to hearing it for the first time in 2006 and seeing her shortly thereafter in a venue since torn-down for London’s Crossrail project.

Lola Young’s ‘Messy’ is one of those that kept popping up lately in the background – probably because she played that big festival that everyone talks about this time of year. It’s another one of those where I’m forever saying ‘ohh, what’s that song?’ because I’m enjoying it. Although I’m reliably informed I’m a year out of date with this, probably even more so with those I’ve been hearing by Chappell Roan, but at least I’m still managing not to shut myself off to new music.

Omertà – Kremer & Bergeret

Stereolab – Lo Boob Oscillator

Not the South Italian mafia’s code of silence… but an underground French band that manage to combine a two-bass-driven funk groove with post-rock like keyboards for a psychedelic vibe that ticks all my boxes and, for reasons I can’t explain, feels like a natural fit next to the recently-reunited Stereolab tune from 1993. Despite being on a compilation of tunes rather than an album proper, it’s probably their best-known song.

Bruce Springsteen – Maybe I Don’t Know You

It was inevitable that, since Friday, most of my listening has been Springsteen-flavoured. The release of Tracks II: The Lost Albums is as big a drop of new music from Bruce as there’s ever been. Most of my attention, though, was reserved for The Streets of Philadelphia Sessions – the lost album from the early ’90s that had long been rumoured. It feels like a missing link has been found for me, like a favourite album that I’d been waiting to hear. It’s a brooding, bruised but gorgeous vibe with just the right sound mixing. The balance between the synths and loops and the occasional piercing guitar is just spot-on. That he’s been sitting on this for more than 30 years is shocking. Was it the tepid response to Human Touch / Lucky Town? Was it still not being sure of his own ‘solo’ voice? Was it that he thought another relationships album would be one too many right then? Who knows, I’m just glad we finally have it.

6 thoughts on “Monday Tunes: Scorchio

      • Something you’re exemplifying. If you could elaborate as to what exactly you have a problem with I’m sure I’ll waste no time in resolving your concerns. What exactly are you taking issue with?

  1. Maybe you’re right, I have a problem with all the people from Southern Italy who are considered mafioso. Good heavens, Tony, how come you even think of using that unfortunate and, believe me, offensive expression when talking about music: at least to my sensibilities. I don’t like arguing, Tony, I’m not used to these things. Maybe I offended you; in fact, I almost certainly let myself go. But you see, I’ve been dealing with these generalizations all my life, and this time I got it. Have you ever been to Italy? I’ve been to the US (for work, I couldn’t have afforded it with my money) and I was enchanted by such civility, but do you think I can’t find something to offend, perhaps even exaggerate? Okay, let’s stop this, don’t you think? You’re fine with me, I’ll keep reading you if you like, otherwise just say so and I’ll disappear.

    • I’ve never been to the US but I have been to and enjoyed several visits to Italy. I only used the word as, when searching for information on a newly found band – Omertà – that’s the usual result. I was drawing a clear definition that the band form France has nothing to do with that.

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