Yeah, they’ll pass you by…

Been a while, again. Life, health, work, marking another year around the sun… things get busy.

Still, ahead of ploughing into a coupe of post series it feels like getting a good toe back in the water by going for another recap of recent acquisitions and spins. In anticipation of the one of those series, let’s start with Mr Springsteen…

Bruce Springsteen – Losin’ Kind

What a year to be a Springsteen fan – Tracks II: The Lost Albums, confirmation that Tracks 3 is on the way and, now, we get Nebraska ’82: Expanded Edition. Seemingly released to tie in with ‘Deliver Me From Nowhere’ hitting the screen, this is the one that’s been waited for as hungrily as the fabled ‘loops’ album as it contains ‘Electric Nebraska‘. As powerful as the E Street ‘power trio’ takes on ‘Atlantic City’ and ‘Born In The USA’ are, and subtly tasteful the renditions of ‘Nebraska’ and ‘Reason to Believe’ may be, the decision to can in favour of the original’s stark beauty isn’t questioned by these. Just as worth the price of admission though is the disc of ‘Nebraska Outtakes’. Songs like ‘Losin’ Kind’, ‘Gun In Every Home’ and ‘On The Prowl’ rank among his finest and, as with Tracks – raise a lot of ‘how the hell did this end up on the floor?’ style questions.

Elliott – Carry On

Mazzy Star – Bells Ring

There’s a surprising number of records sat in front of my shelves that are new purchases still awaiting to be filed away – which itself is always a bit of High Fidelity style fun.* Amongst which are lot of recent reissues that have meant some long-time favourites are now in rotation including two albums from Elliott which were barely out of my cd player back in the day. Once pigeon-holed as ’emo’ there’s a lot more to their atmospheric and sweeping tunes that make me think of them more as an ‘ambient Sunny Day Real Estate’.

Mazzy Star’s sumptuous sophomore album, So Tonight That I May See, was propelled along by the surprise dominance of ‘Fade Into You’. Beyond that opening track’s hypnotic charms though are the album’s real beauty and strengths.

Air – Playground Love (with Gordon Tracks)

While I spent a bit of time last summer hunting around Lyon’s record shops and scooping up the first three Air albums it’s only now that I’ve been able to get hold of their soundtrack – and, apparently, second album, The Virgin Suicides – in this instance the ‘Redux’ version. I’ve got no memory of the film, the book is on the shelves though, yet while this doesn’t really work as a second album in the truest sense it’s a lot closer to Moon Safari than 10,000 Hz Legend was and I’ve always got time for an Air album. I just wish they’d rerelease Pocket Symphony and Love 2.

BORIS – Korosu

Turnstile – Never Enough

We were in Third Man Records up in London a week or so back and walked in to the always-welcome thunderous delight of BORIS’ fourth album Heavy Rocks being played out at sufficiently high volume.

Turnstile’s Never Enough album caught me be surprise earlier in the year and has been on frequent rotation since, I can genuinely get behind all the plaudits its been getting. Easily one of the year’s finest albums. Which brings me to Mogwai…

Mogwai – Lion Rumpus

Having been given the recent ‘If The Stars Had a Sound’ Mogwai doc I’ve been hungrily absorbing it when I’m able to get sufficient time with the TV to do so. I forget how many years I’ve fucking loved this band but watching the documentary it’s a wonderfully warm feeling to see just how much love there is for them and to revisit the strange period in time (face masks, social distancing etc) when their The Love Continues album hit number one in the charts and the sense of jubilation it created. As they have a knack for releasing their albums early in the year these days it’s easy to forget that they dropped The Bad Fire in January but it’s been a regular play for me and another of those highlights of 2025’s albums. 

*strictly alphabetical by artist for the main with separate Post-Rock and Soundtracks/Comps sections if you’re curious.