Spinning Some Newer Things

Stepping out of the mid-90s for a moment, I thought it high time to throw a few things up here to show what else – during this long-arse pause in the ‘norm’ – has been going through my ears lately.

Daughter – Youth

So… anyone else catch Ricky Gervais’ ‘Afterlife’ on Netflix? We powered through both seasons earlier this year. Not what I was expecting – gutting at times… jesus. Hell of a soundtrack though and sent me off exploring a lot of new artists and many I’d heard of but not heard. This particularly stood out and I’ve been enjoying Daughter’s catalogue since.

Eliot Sumner – Information 

Some time back I took a punt on Destroyer’s Kaputt having seen it on sale for £5.99 and found out I really dug it. The same thing happened with Eliot Sumner’s album Information: I saw it in a sale for £6.99 and thought ‘why is a double lp so cheap?’, checked reviews / information, not a lot them about so pinged it up on Spotify and… holy shit! The name didn’t click at first but the voice…. it’s like the same timbre of her father and she’s singing with such confidence and there’s a real power to it… really enjoying this album from Gordon’s daughter even if, or perhaps because, it’s not what would normally be in my wheelhouse.

School Is Cool – Close

Another new discovery – these guys hail from Belgium. Their new album Things That Don’t Go Right is a pretty good mix of the same sun-kissed guitar tones and vibes that The War On Drugs have perfected along with some cool vocal harmonies and those 80’s sci-fi synths that Stranger Things seems to have revived.

Turnover – Cutting My Fingers Off

I’d seen this album so many times on ‘the ‘gram’ and for some reason thought it was something entirely different – I thought it was one of those stone-metal albums like Sleep…. However; took the opportunity afforded by not having to get up for work (only as an acting teacher to my son at least) to listen in on headphones in the evenings and have been hooked on Turnover since.

Gary Clark Jr – This Land

Holy shit did I sleep on this one. I mean, I’ve always dug Gary Clark Jr’s playing – his Live album is a frequent spinner even if I haven’t found his studio albums as rewarding – but this is just something else and, right now, still, essential.

Philp Sayce – Burning Out

Again – new to me, this guy, but I’ve been digging what I’ve heard thus far and, much like Gary Clark Jr, this guy drew a lot of ears playing at one of Clapton’s Crossroads Guitar Festivals.

Pearl Jam – Quick Escape

March seems like a decade ago already doesn’t it? Without being able to tour and promote it’s easy to forget Pearl Jam had a new album out this year – which sucks especially when you consider how long we had to wait for it! Still, Gigaton is an absolute beast – one of their most ‘on’, diverse and consistently strong albums in a long time and I enjoy it more with every spin. ‘Quick Escape’ is a thumper! “Crossed the border to Morocco , Kashmir to Marrakesh . The lengths we had to go to then to find a place Trump hadn’t fucked up yet.”

 

Don’t Owe You A Thang

Sometimes hype exists for a reason.

The last Foo Fighters album has – in my opinion – one turd on ii: What Did I Do? / God As My Witness. However, that song features a guitar solo that saves it from being complete tosh. I found out that that solo is thanks to Gary Clark Jr. I mentioned in my blog about the album how when it came to recording it, Grohl says that Clark:

…walked into the studio and didn’t even bring a guitar. He just took one from Pat Smear – Pat hadn’t even played it yet and it still had a tag on it – and does three takes and that’s it. Pat said, “Just fuckin’ keep it.”

IMG_4017So who’s Gary Clark Jr? I asked myself. A little browsing revealed a lot of hype. A little listening on Spotify revealed that hype to be justified, I listened to a snatch of last year’s Live album and my leg couldn’t stop from bouncing.

This guy is amazing. End of.

I grabbed the album on vinyl this weekend, it’s played through a couple of times. I’ve got it in the car. My little son dances away every time he hears a bit of it.

Bluesy virtuoso, undoubtedly likely to continue drawing comparisons to Hendrix but with – for my money – a better voice and less anger / destructiveness (not that you’ll ever hear me fault Jimi). Damn fine natural guitarist.

I know already that this is going to be one of the albums I listen to a LOT this year.