Out of Europe: A Swedish Top Five

While the stupidity of June 23rd and the fumbling-in-the-dark it lead to continues to dominate the news  (unless America votes in a racist, misogynistic Oompa Loompa today) I thought I’d revisit my initial “Out of Europe” list… I thought I’d go for a region, in this instance Scandanavia, but quickly found I’d come up with five from the same country.

So, in the same “this is what we’re saying goodbye to” thought, here’s a Top Five From Sweden (in no particular order, of course, and without a Waterloo in sight*):

Kristofer Åström – How Can You Live With Yourself

There’s just something so amusing and great about the juxtaposition between those gentle strums and lyrics like “I hope you’ll burn in hell”.

Refused – New Noise

I don’t think I ever was or ever will be – especially as my clock has just clicked over another year closer to 40 and I merge quietly into listening to ‘Dad rock’ – to talk about Refused or profess fandom in the same way I’m probably unlikely to be considered serious when I talk about At The Drive In’s Relationship of Command (“Hello, mother leopard. I have your cub”). I will say, though, that I love and loved The Shape of Punk To Come in all it’s screaming, emphatic and brutal force.

Shout Out Louds – Oh Sweetheart

I cannot recall how I found this band back in the mid 2000’s. Their first album Howl Howl Gaff Gaff is chock full of cracking, upbeat and well crafted tunes like this and The Comeback. I can’t say I’ve heard a great deal since though, so perhaps it’s time to head to Spotify….

Junip – Line Of Fire

Having found solo success on his own with his bare, acoustic tracks and covers (including Heartbeats) José González did the sensible thing and got the band – Junip – back together again. I first found them on the The Secret Life of Walter Mitty soundtrack and then their 2013 self-titled.

Last Days of April – The Thunder & The Storm

I could have put anything from Last Days of April here, they remain my favourite European export and I’d be hard-pushed to find a dud in their catalogue. So I went with something form their latest – last year’s Sea of Clouds – if only for the moment halfway through when the pedal-steel and guitar takes over and just keep going.  For a quick LDOA bracer:

It’s On Everything
I Wish That You Would Mean A Lot Less To Me
Forget About It
Who’s On The Phone (because there’s no way of linking to Lily)
Two Hands And Ten Fingers

There’s some honourable mentions for this one (Sweden has sent some wonderful music out into the world) including that one-hit-wonder Glorious by Andreas Johnson, The Knife – purveyors of the original Heartbeats, and Lykke Li’s wonderful Melodies & Desires.

 

*no matter how many people claim there’s something great in ABBA I cannot stomach them, the DJ at my wedding was even banned from playing them no matter who made a request (I have a list of those that did, too).