Pages Turned

It occurs to me that, as we head into the final quarter of the year, I haven’t really talked much about what I’ve been reading this year outside of the larger reviews.

While I set myself a target of 40 books again this year (currently reading number 31), I really wanted to get a specific couple of books off of the ‘to read’ list and absorbed, I think I’ve done that.

First such book on the wish list was finishing James Ellroy’s LA Quartet. White Jazz differs somewhat from its predecessors as it’s very much a single-thread narrative in the style of Black Dahlia. Massively rewarding and full of Ellroy guts and power as Lieutenant David Klein unravels the biggest of puzzles – some real heavy stuff even for Ellroy. I loved every fucking page of this book and the entirety of the LA Quartet. I find it strange to think it came out in 1992 – Ellroy’s take on late 50’s LA is so vital. It also introduced Pete Bondurant who is one of main narratives in American Tabloid – which was another tick on the list as I wanted to go from the LA Quartet to Ellroy’s Underwold USA Trilogy. American Tabloid makes a smooth transition from the LA focus to a fuller, corrupt take on American History (with a fair few artistic licenses) right up to the gun shots in Texas. I’d like to get to The Cold Six Thousand but there’s a few more on the list first..

Another tick on my reading goals for the year was to catch up with Arkady Renko – the Russian detective from Gorky Park, one of my favourite historical fiction / thrillers. Took a while to find – not often kept in stock new and I went the ebay route for a used copy – but worth it; Polar Star takes place pretty much completely at sea. Renko is basically in exile and hiding from the state and finds himself thrust into solving a murder  on board a fish processing ship in the Bering Sea. I really have a thing for this cold war stuff and Martin Cruz Smith does a faultless job of making a thriller a literary work and combining a genuine mystery with enough genuine historical and political framing to tick all my boxes.

Speaking of historical references… I’ve fancied reading Maus for longer than I can remember not wanting to.  My wife has a copy of it but my reading of French isn’t up to it so I was happy to pick up an English version at a good price not too long ago. I don’t usually get on with the graphic novel thing but this one is staggering in both its power and its honesty. Well worthy of the acclaim it still receives and an important read.

I also picked up with that bloke called Reacher again but The Midnight Line didn’t really do it for me. Much like Personal it almost feels like Child is treading water here, the formula isn’t anything new and there’s no real stakes here – just ticking the boxes: Reacher gets intrigued about something, follows a trial, cracks a few skulls, things still make no sense, cracks a few more, solves a minor riddle, goes on his way.  A couple of years ago I enthused about All The Light You Cannot See by Anthoy Doerr… I still do; it’s a great book. I’d had his About Grace on the shelf for a while and finally go to it at the tail end of summer. It’s… not bad. There’s a couple of really good chunks in there but it’s not on the same level.

A few years further back I similarly enthused about Louis De Bernieres’ The Dust That Falls From Dreams,  the first in a planned trilogy. I read the second this year: So Much Life Left OverA little more focused in terms of characters, predominantly following the arc of Rosie and Daniel’s life, this slightly slimmer book is no less grand in terms of its reach or impact. De Bernieres one of those few writers with the ability to genuinely hit every emotion in the space of a few chapters. It takes a little adjusting each time as De Bernieres’ previous trilogy and novels took place in more exotic and poetic locations than this series but I really look forward to the final novel which will probably be no earlier than late 2020 at my guess.

Non-fiction wise there’s only been two hits on the list, one of which – Mark Blake’s Pigs Might Fly: The Inside Story of Pink Floyd – has already been touched on. The other was a reread of one of my favourite non-fiction books: Herbert A. Werner’s Iron Coffins: A U-Boart Commander’s War, 1939-1945 which I’d first read some ten years ago, lent out and never got back. I managed to find a copy at a recent air show and it’s always worth reading and will no doubt feature in an upcoming Top Ten Non-Fiction post.

This seems like a good place to leave it for now… back to that Springsteen series.

 

The Dust That Falls from Dreams

91e3i+vVdTLI go back a bit with Louis de Bernières. Well, I say that – like most I started reading him thanks to Captain Corelli’s Mandolin – the first few lines of which were used as discussion point in an A-level English class in – I’d guess – ’97. The perfectly self-contained opening chapter, a beautifully written piece of charming prose, a (what I know now to be) typical de Bernières style light-hearted slice-of-life scene setter with a fantastic description of an inner ear as “an aural orifice more dank, be-lichened, and stalagmitic even than the Drogarati cave”.

I took the print outs containing that first chapter (Dr Iannis Commences his History and is Frustrated) home, passed it to my father and the book was soon in our home and passed into my hands following his. It’s a novel well-known, commented upon, discussed and dissected. As such I won’t here.

There followed the discovery of and lapping up of de Bernières’ South American Trilogy, earlier novellas and plays, the stop-gap Red Dog and, my personal favourite Birds Without Wings. 

Birds Without Wings arrived some ten years after the publication of de Bernières’ previous novel. But he isn’t a writer of small books; his novels are of epic proportion and scope.

It’s not too surprising, then, that The Dust That Falls From Dreams arrived another ten years after the publication of Birds... Not that he was idle. Between times there was A Partisan’s Daughter a (somewhat smaller though nonetheless impressive) novel set in more contemporary times and familiar locales and, in 2009, Notwithstanding – a charming, if non-consequential collection of semi-linked short stories all set in an English village of a certain southern England type and charm, populated by characters of a particular eccentricity.

Perhaps, in hindsight, those stories within Notwithstanding were perhaps something of an exercise. I’m inclined to see them as de Bernières – known for novels set in Greece, Latin America and Turkey – setting out his stall in ‘middle England’, gaining confidence in the styles and character types that would populate his next saga for, as we’re now aware, The Dust That Falls From Dreams is the first of a planned trilogy.

And so, to it.

The Dust That Falls From Dreams is every bit the opus I’ve been waiting for as a fan of de Bernières. Yes, some will complain that he’s switched a setting like Cephalonia or Cochadebajo de los Gatos for Kent, but arseholes to them. This is a novel of epic proportions and every bit as “de Bernières” as his previous five “big” novels.

Kicking off with death of Queen Victoria and the commencement of the Edwardian era, we’re introduced to the McCosh family as they hold a belated coronation party with their neighbours. With a sudden time-jump we’re off to the Georgian era and slap bang on the doorstep of the First World War.

Of all the writers to task themselves with chronicling this most heinous of periods, the upheaval and destruction it wrought, there are few who could do so as well as de Bernières (Sebastian Faulks’ Birdsong is, of course, another exemplary example) – bringing all too real the events both home and abroad that bought an end to an era and threw individuals into a torrid world where the sense of the individual was lost.

CJAjyIFWcAEeatZIn The Dust That Falls From Dreams de Bernières is at his best. The plot and author play with our fears and guesses and – as those familiar with the author will expect – deliver both uproariously funny and uplifting moments with one chapter before just as skilfully delivering gut-wrenching emotional blows to the heart in the next (this is the Great War, after all). I won’t dwell and deliver spoilers as to who de Bernières casts asunder but will say I felt the final one, unrelated to any ‘cast’ member was a little uneccessary and particularly crushing, especially after the soul hitting account of the Folkestone bombings. Though, in hindsight, this too shows the author’s mastery at engaging a reader and rendering you completely spellbound.

The McCosh girls’ visit to a local medium and the scenes that unfold add a welcome touch of the fantastical, hearkening back to the author’s Latin American Trilogy, and well-chosen historical references help set a thoroughly well realised setting in both time and place, home and abroad.

At times the characters could perhaps be considered a little two-dimensional (though I don’t recall too many layers being attributed to Don Emmanuel) but this is the start of a trilogy and I have little doubt that as the whole saga of the McCosh family unfolds in de Bernières’ magnificent style, all will become fully rounded and developed.

The Dust That Falls From Dreams is a saga that encompasses three families at one of the most dramatic times the World faced. It deals with a vast array of subjects beyond the core of love and death, picking up the politics of class and gender, religion and industrialisation as it goes.

While not quite up there with Birds Without Wings this may well be the start of something amazing as the saga continues and should well be considered a fantastic novel in its own right. I await the next instalment with high expectations.

On a side note; why do we get lumped with such a cack cover image in the UK compared to the more attractive cover design they get in US?

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