The calm, secluded Icelandic town of Siglufjörður is even more quiet than usual; the sudden illness and death of a visitor means the town is in quarantine.
For Ari Thór this is not necessarily a bad thing – he and Tómas are now the lone members of the police force, splitting shifts between them. But he’s not keeping idle. A local man, Heddin, asks him to look into a decades-old mystery: in 1955 two young couples moved to the isolated and otherwise uninhabited Hedinsfjörður. Their attempts to forge a new life come to disturbing end when one of the women dies after consuming poison, help too far away to reach her in time. The case was never solved and suicide considered the accepted explanation. Heddin, the son of one of the couples and born in Hedinsfjörður himself, has been given an old photograph that may prove something more sinister occurred in that desolate fjord – for, holding the infant Heddin in his arms, an unknown man smiles back at the camera.
Who is the man in the photo? Does he have anything to do with the death of Heddin’s aunt? What really happened out on that bleak fjord? Unable to leave town, Ari is assisted in his investigations by Ísrún, a news reporter (introduced in Black Out) who’s chasing a case of her own.
Isrun’s case is a far more complex and multi-faceted one that brings together a child abduction, murder and political ambition that is at times genuinely chilling and nerve-wracking. The hurried, freedom of her movement in Reykjavík further emphasising the cooped-up restraint of Siglufjörður as both she and Ari Thór discover just how far the actions of the past can reach into the present.
The splitting of action in Rupture allows Ragnar Jónasson to really flex his skills as a writer; equally strong in both establishing a slow burning mystery in Siglufjörður and a gripping, fast-paced thriller of a story in Reykjavík, each complex and packed with enough intrigue and revelation to ensure the pages of Rupture are turned with speed.
With many a well known series character there’s not much of an unknown quality about them. Their history and character traits are pretty quickly established and it’s seeing how these known elements handle changing situations that make for so many of their books. Everyone knows, for example, how a Jack Reacher type will respond in a given situation or whether a Harry Hole type will pick up a drink or not. What makes the Dark Iceland series so bloody addictive is that this isn’t the case with Ari Thór; glimpses and insights into his past and character are revealed with each book (the violent jealousy in Black Out or the truth of his parents hinted at in Night Blind) but the whole remains hidden so as to make the character of its lead as much a mystery as the crimes themselves and keep the reader coming back to the police station in Siglufjörður.
Rupture is a fantastic book, another brilliant instalment in the Dark Iceland series which is itself a vital addition to both the thriller genre and any discerning bookshelf. I cannot recommend this enough.
Thanks again to Karen at Orenda for my copy and do check out the previous stops (I seem to have the honour of closing it) on the Rupture blog tour.