Current spins

With the Pearl Jam series complete, it feels like as good a time as any to take a look at what else has been going into the old ears of late because, having spent so long on a Pearl Jam bent, I’ve been listening to a shit load of different stuff these last weeks…

Crowded House – Private Universe

It took a while before I got round to it but I’ve been spending a lot of time with the first four Crowded House albums lately and enjoying every track thus far. Their album Together Alone is the standout for me and this song has had a fair few repeats.

Chastity Belt – Different Now

A recent purchase, Chastity Belt’s I Used To Spend So Much Time Alone is a great album that manages to feel like some lost 90’s gem while still sounding fresh and new.

Kurt Vile – Bassackwards

Because it’s one of the two long tracks that new album Bottle It In revolves around and those powder-blue discs have been getting a lot of spins since arriving on my shelves. This – and most of KV’s work – has got such a laid back vibe that you just kinda close your eyes and drift along to. Perfect music to get small to.

Bill Mallonee & The Vigilantes of Love – Resplendent 

This took me a while to get hold of. I heard this on one of those CDs that came free with a magazine some… 18 years ago. I don’t know much about Mr Mallonee but he’s not much about on the likes of Spotify etc so I had to track down a second hand copy of Audible Sigh the album this is from. I’m not usually one for this alt-country but I love a good ‘story’ song and the lyric “’til what you were meets what you’ve now become, grins and says “hey, haven’t we met”

Kate Bush- And Dream of Sheep

Back before she went completely off her rocker and long before she started spouting off about how wonderful that deranged fucktard Theresa May is… Kate Bush made some perfect music. One such example – Hounds of Love: one half the perfect pop album, the other, from which this is, a gorgeous concept suite about a person drifting alone in the sea at night.

And, finally…..

Bruce Springsteen – Racing in the Street ’78 

OK, so I’ve got a BIG BRUCE SPRINGSTEEN POST or 2, or maybe 3 in the making at the moment and so the Boss has been back on heavy spin and this song… this version… fuck but it’s good.

Spinning The New… 2

Taking a momentary pause from the Pearl Jam series for, as those playing along at home may have sussed our, the final three all dropped between 1993 and 1996 and I thought it was time to take a quick gander at the newer stuff spinning right now.

This is fairly genre-specific. I’m not about to jump any sharks and start discussing Eminem’s ‘diss track’ (this is something that baffles me as a concept) or even start talking about the new Paul McCartney stuff (some of the worst material I’ve heard from the former Fab that didn’t involve frogs). While I have heard the new Smashing Pumpkins track I must have dozed off listening to it so it’s not going to be appearing here.

Mogwai – We’re Not Done Yet (End Title)

Another year another new Mogwai album. Well, sort of. These dons of post-rock have seemingly hit a real stride in terms of output as there’s a been a release per year of late alternating between ‘studio’ and ‘soundtrack’ album. Their soundtrack albums are different to their ‘own’ as the music is, obviously enough, written to suit someone else’s vision / story but each have been strong and worth additions to their catalogue (take Atomic as a prime example). Kin the film would appear to be destined to be seen by nobody: a box office and critical bomb. Kin the soundtrack should be heard by many – it’s a great, moody, sci-fi soundtrack that feels like it could just as easily blend into the background on Stranger Things (yes, I’m a very recent convert all binge-watched up to speed).

Jim James – Just A Fool

Back in 2015 My Morning Jacket were talking up the possibility of a very quick follow up the then-new The Waterfall on the back of how much material they’d written and recorded in those sessions. It hasn’t happened and can’t see it happening any time soon. Instead we got three solo albums from Jim James: one patchy, one a continuation of his covers project and this year’s Uniform Distortion which I picked up from the record store while collecting my pre-order of KinUniform Distortion feels actually like a very fine MMJ album and is well worth exploring.

Kurt Vile – Loading Zones

There’s a new Kurt Vile album dropping later this year and I’ve already got it on pre-order. I got hooked on Vile’s sound following Smoke Ring For My Halo. There’s something hypnotic about Vile’s sound and once you’re hooked.. well.

J Mascis – See You At The Movies

Oddly enough, there’s a direct line between Dinosaur Jr’s J Mascis and Kurt Vile in terms of style and sound and the two have often shared a track. It’s fitting, then, that Mascis has a new solo record dropping this autumn too – his solo work is less wall-of-sound guitar than the Dino albums but he’s started mixing his trademark guitar solos and shredding into his folksier / acoustic solo stuff to strong results so I’m looking forward to Elastic Days – also on pre-order from my not-quite local dealer.

Public Service Announcement

This blog could be a testament to good intentions gone awry. A testament to procrastination (“I’ll write about that album… maybe tomorrow”)

It’s not lack of the wanting. Nor of the not listening to music and wanting to mutter. More of the lack of time. Anyone with a baby in the house will agree… it flies away that stuff called free time.

I’ve been reading a lot, too. I’m feeling the need to write about that, too. So I will. Consider it an expansion. An annexation of a seemingly one-track blog.

The sun is shining.

Let’s try again.

2013 – A Quick Summise

I haven’t been here for a while. Again. This year has been hugely busy and time to write has not been mine. Aside from from keeping busy and exploring fjords, my wife and I welcomed our son to the world this year. I wouldn’t swap that for the all the time to write blog posts about music in world.

That being said, let’s chew over some music from 2013 – setting aside the big Pearl Jam discussion…

BNJdTlJCcAADTls In the same way as this year is starting strong – another post or three right there – 2013 was also a strong starter with Sigur Ros announcing Kveikur, hot on the heels of their ‘comeback’ album Valtari. I have a huge amount of love for Kveikur  – the lead-off EP Brennisteinn got a lot of rotation en route to Cambridge for a day out with my wife, the aesthetics of the packaging and the vinyl quality were all top notch and the album itself was great: a real, powerful, snarling beast of intent (especially compared to the relative damp squib Valtari) that bought a new ferocity out in them and saw them stamping their name heavily onto a genre that they’ve so massively inspired.  A lot of plays of this in the car, in the house, in the ear-buds..

On the subject of suprise, early wins AND comebacks – My Bloody Valentine‘s bombshell started the year off well. I ordered my vinyl as soon as I could load the MBV website and was glad I did; it’s easy to dismiss a band that releases new music after such a long period, to complain that it’s not as good as Loveless (what could be?), to say they should stick to the reunion / reissue circuit (I WILL talk about the Pixies EP but that’s going to need a post of its own)… but to my mind MBV was a slab of greatness. It has all the wall of reverb and wash of guitar, the thump of drums against dropped tunings that you’d expect.. but there’s something new in there too.  It’s a great connection from what was and what could be. A shame that it came out so early in the year in a way as it almost got lost in the noise created by other releases as the months went by.I suddenly feel the need to put it on again, in fact. 

BM5ggaKCYAARJacThe National‘s album Trouble Will Find Me was sublime; deep, absorbing and multi-layered. I picked this one up fairly soon after it came out back in May. Hugely transfixing (even the artwork is one of those addictive images that I have trouble pulling my eyes from) and a real move forward from High Violet – a band that genuinely seems to get stronger with each release. It got many a spin on my turntable, through the iPod and more than one track found their way onto different mix cds through the year. All the callings of a good purchase for me.

Following a stroke of luck in which – following a win on Xfm’s Quizee Rascal, followed by a bit of admin blunder and recompense – I found myself with 400 iTunes downloads I got to exploring a lot of new music this year.

Having read a few strong reviews and after hearing a track (not to mention my enjoyment of previous album Empros) or two I downloaded the Russian Circles album Memorial. A pretty solid, and quality effort but most of note in rounding up this year as it introduced me to Chelsea Wolfe. Her album Pain Is Beauty is one of the year’s strongest for me – dark, haunting and hugely hypnotic. Like P J Harvey’s To Bring You My Love dipped in David Lynch atmospherics and sung with a soul-chilling beauty. 

I also used a fair chunk of those downloads to absorb more back-catalogue and the new album Walking on a Pretty Daze by Kurt Vile. I’ve recently started to really fall for the particular groove that Mr Vile so effortlessly taps into. It took a while – his previous album Smoke Ring For My Halo had sat in my collection for a while but didn’t really ‘click’ until this year but now that it has… can’t get enough. There’s something so enveloping about the sound and style that it’s more like a continuing journey than a new album, familiar yet still full of development and surprise to keep rewarding. Of course, from here I then read and stumbled back a little further to his work with The War On Drugs  and then their work without him – Slave Ambient in particular getting a few plays at the tail of this year. 

Also getting a lot of play – though not quite so much as those above (but that’s more down to my not having been able to allocated enough time to listen) – were Silence Yourself by SavagesAntiphon by Midlake, Junip‘s self-titled album, last year’s excellent Kill for Love by Chromatics, My Head is an Animal by Of Monsters & Men (thanks to getting addicted to “Dirty Paws” via the Walter Mitty trailer) and Pirameda by Efterklang.

Strangely enough my new commute has put me into constant tuning range for Xfm – I’ve been able to hear a lot more ‘new’ music of the ‘not pop’ variety for once. It meant that along with those usual suspects and bands listed above, I got into music by the slightly more mainstream acts like the catchy, pure-fun music of Haim who’s melodic, solid and good-80’s leaning Days Gone By also found a happy listener in my wifethe perhaps even more ‘Radio 1’ Ben Howard who’s album Every Kingdom got a fair bit of play this year (Devon-based chap playing mainly acoustic, chilled, beach-like tunes in the manner of Mojave 3 – it’s not that bad) but more so this track, “”, from The Burgh Island EP:

This got lodged in my head early in the year and I’ve been addicted to it since.

Also of note –   Boards to Canada and Tomorrow’s Harvest got spun a fair few times but then only after I’d grabbed it using my download haul. To be honest, while I enjoyed it I was glad I hadn’t sprung for the vinyl.

The same “glad I didn’t pre-order” could also be said for this year’s two other BIG HYPE releases – I used to like and have a fair bit of time for Arcade FireReflektor, the surrounding hype and the essentially dire nature of the single and the extra-hype over the most pointless guest contribution from David Bowie (was this another of the mutterings from the same retirement home his own boring-as-death comeback album was recorded?) They may well have been trying to capture a fun, exciting element but something in the execution of the idea didn’t work and to me it sounds flat and uninteresting when they’re trying so obviously hard to do otherwise. Not only that but when stretched out over the seven and a half minutes of the single and EIGHTY-FIVE minutes of the album… I’d more happily listen to Funeral and the half-dozen crackers from Neon Bible and The Suburbs in that time.

Then we have BIG HYPE release 2…. I found Random Access Memories to be hugely bland and uninteresting after having been pummeled with “Get Lucky” from every radio station in the Universe and thought Daft Punk could have done, nay SHOULD have done a whole lot better in the seven years since their last ‘album proper’. The only track I’ve listened to more than once is “Giorgio by Moroder” and I don’t think that’s down to their input as much as it is Giorgio’s. Although, in fairness, “Instant Crush” came on the radio recently and managed to sound fresh – the perils of having your comeback single played to death and flogged when your album is only a 6/10 at best, I suppose.

Still, I’d not like to finish this wrap up on a downer – to be honest I’ll probably remember more to write on last year’s music when my mind settles – so I’ll leave with the last song I downloaded from my iTunes haul, don’t judge….