Ari Thór Arason is now a police inspector, but he’s separated from his girlfriend, who lives in Sweden with their three-year-old son. A family reunion is planned for the holiday, but a violent blizzard is threatening and there is an unsettling chill in the air.
Three days before Easter, a nineteen-year-old local girl falls to her death from the balcony of a house on the main street. A perplexing entry in her diary suggests that this may not be an accident, and when an old man in a local nursing home writes ‘She was murdered’ again and again on the wall of his room, there is every suggestion that something more sinister lies at the heart of her death…
As the extreme weather closes in, cutting the power and access to Siglufjörður, Ari Thór must piece together the puzzle to reveal a horrible truth … one that will leave no one unscathed.
Chilling, claustrophobic and disturbing, Winterkill marks the startling conclusion to the million-copy bestselling Dark Iceland series and cements Ragnar Jónasson as one of the most exciting authors in crime fiction.”
I’m not happy to be writing this review, not happy at all. This cannot be the end of the Dark Iceland series, surely. The compelling journey of Ari Thór, steered by the massively talented hand of Ragnar Jónasson, from rookie newcomer to seasoned Siglufjörður resident and police inspector has been an absolute pleasure to read. This can’t be the end. And yet, here we are.
The plot itself… well, the case looks to be a non-starter at first. Yet as keen as Ari Thór is to park it and focus on spending time with his son and work out his relationship with Kristín (oh how I longed for that to end differently), too many little things begin to pop up and Ari Thór knows something isn’t right. There’s something lurking behind the apparent suicide that he needs to know and, in unravelling that thread he begins to reveal a lot more than expected all the while wrestling with his desire to not be so involved with the case and his intrinsic sense of humanity and drive to discover the truth. It makes for a brilliant read.
One of the key elements in making the Dark Iceland series so addictive is Jónasson’s skill as a writer. He’s brilliantly adept at weaving a deep and intricately plotted mystery while simultaneously keeping the reader engrossed in Ari Thór’s own personal pressures in a way that makes Winterkill a gripping book.
Siglufjörður makes for a superb setting for a mystery novel: it’s both chilling and remote and even if it’s no longer as cut-off from the rest of Iceland as it once was you get the feeling that despite an additional tunnel and the ease with which, say, Ari’s old boss Tómas can be reached on the phone, there’s still a sense of isolation in the town that really adds to novel’s atmosphere, especially when the snow storms kick in. As with previous novels in the series, Jónasson populates Winterkill with a brilliantly vivid cast of characters that, were I to find myself in Siglufjörður, I would honestly expect to meet in the street. His portrayal of the grief-stricken mother is really powerful and the degree to which I know it will stay with me for a while is a testament to Ragnar Jónasson’s skill. It’s just so very well written.
What’s made the Dark Iceland series, and Ragnar Jónasson’s writing, standout and prove so enjoyable to read is how subtly your attention can be hooked by little details and how many doors these open for further exploration. Winterkill is no exception – in its gentle pacing, the plot touches on so many intrigues and characters as it builds up a real momentum, Jónasson expertly leading us along until a real ‘what the fu..’ shocker comes barrelling in and, in Winterkill, it’s a real shocker that will stay with you.
So, is this the end of the story for Ari Thór? There’s a little note from the author at the start of Winterkill in which Ragnar Jónasson points out that the story is for those fans that kept asking for one more Ari Thór story. I can’t help but think there’s a lot more to be told about Siglufjörður’s police inspector, what was the secret of his parents hinted at in previous books, for example? What will the growing number of people coming into the town mean for crime in a place where seemingly nothing happens but so much is going on? Who knows, maybe if we ask Ragnar enough…..
My thanks, as always, to Karen at Orenda Books (a continual source of high-quality fiction) for my copy of Winterkill and to Anne Cater for inviting me to take part in this blog tour.