Currently Listening

Tuesdays after a Bank Holiday Weekend are the new Monday. Nobody likes them.

Outside of Pimsleur’s Basic Romanian, here’s the skinny on what’s going into my ears lately:

The War on Drugs – Up All Night

The new album A Deeper Understanding is the thing of beauty that expectations had it as. Adam Granduciel’s nasal voice is akin to a softer, more tuneful Dylan with tasteful restrain over bleating, the guitars shimmer and shred and the whole thing is polished off with a sun-kissed production right out the Tunnel of Love playbook. As one review states, it’s not just that it’s “one of the best rock albums in years, but that the music itself is so expansive and enveloping that it feels like it should be everywhere.” It’s bliss.

Rebekah Del Rio- No Stars

I can’t tell you anything about Rebekah Del Rio as I know nothing about her. All I know is that this song, well her voice and delivery more to the point, has held me hypnotised since I heard / saw it on an episode of the current revival of Twin Peaks.

Biffy Clyro- Living Is A Problem Because Everything Dies

Since they popped up in that Shuffle The Music thing I’ve been listening to this one a lot, partly also because my wife listens to it a fair bit too.

Death Cab For Cutie- We Looked Like Giants

Following another “Top Five” text convo I’ve been listening to Transatlicism in the car recently in between my Romanian lessons.

Hold Steady- The Swish

The Hold Steady are a new discovery for me having read about them everywhere else I took a while to tune in. I’m starting at the first album Almost Killed Me and like what I’m hearing thus far. I was finally swayed by the review for it that said “The Hold Steady are one of the most convincing rock bands to emerge in recent years, a can-crushing throwdown of unadulterated aggression and ear-splitting amps.”

Currently Listening

Mondays are nobody’s friend. Here’s a few more of those current and (mostly) new spins that are going through my ears of late and today.

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The War On Drugs – Strangest Thing

Another song released ahead of the incoming A Deeper Understanding album and another beautific slice of guitar driven wonder from The War on Drugs. I’m starting to think that the new album might be more addictive than Lost In The Dream‘s vibe was.  Adam Granduciel’s voice has more than a hint of Dylan’s nasality and the sound and that guitar work…. gorgeous.

Broken Social Scene – Halfway Home

Broken Social Scene’s new album Hug of Thunder is not only an excellently titled slab of alt-rock but is real testament as to what a large musical collective (between six and nineteen members at times) can do when coming back off a break without disappearing up their own rectums like a certain other large musical collective beginning with A and ending with rcade Fire seem to have done.

Waxahatchee – Never Been Wrong

I got 2013’s Cerulean Salt using my itunes voucher haul but kinda forgot about Kate Crutchfield’s music since in the tide of more new music and discoveries but am now enjoying her new album Out In The Storm.

Radiohead – I Promise

OKNOTOK the OK Computer revisit is just sublime. In amongst the remastered original album and wealth of b-sides there’s three unreleased tunes all dating to the period between The Bends and OK Computer.

‘I Promise’ is the stand out of those for me. First showcased while they were opening for Alanis Morissette (yup, you read that right), the band didn’t think ‘I Promise’ was strong enough or that it didn’t fit vibe for OK Computer, left it and didn’t play it again for a couple of decades when, they played it again last month and Thom York said “What a bunch of nutters we were, and probably still are. One of the things — one of the crazy things we did — was not release this song, because we didn’t think it was good enough.” At the time it probably would have taken over the radio but it’s so atypical of where they were and were heading and was too pure pop and sunlight in comparison. It didn’t fit then but now, as one review puts it, it’s like “an exquisitely faded Polaroid.”

Currently Listening

Righty ho.

There’s a lot going in my ears at present so I thought I’d drop a few on here while working on a couple of longer pieces and ahead of the inevitable ‘Holy Shitballs OKNOTOK Is Amazing’ post* and share what’s been cropping up regularly in the mix as it were.

Pearl Jam – Of the Girl (Instrumental)

I’m putting together a post about Pearl Jam, specifically their fallow period from 2000-2005 and I think Binaural often gets a bad rap. There’s a lot going on in the songs as this instrumental take of ‘Of The Girl’ from the PJ20 soundtrack shows.

The War On Drugs – Holding On

Because there is a new War On Drugs album dropping this year and this is the first single from it. Shame that the wax looks to be what I’d consider over-priced.

The Appleseed Cast – The Waking of Pertelotte/On Reflection

I don’t think I’ve touched on this band here so far. I can’t get enough of the Low Level Owl albums these days (even if they passed me by first time) and I love, LOVE Josh “Cobra” Baruth’s drumming. These are two seperate tracks that open Volume 1 but are best experienced flowing together as intended .

The Kinks – I’m Not Like Everybody Else

So many great Kinks songs to chose from…. this is a Ray song sung by Dave. It was a b-side to ‘Sunny Afternoon’ but the version I keep listening to was from their final release To The Bone and I first heard it and got hooked via ‘The Sopranos’. **

Fleetwood Mac – Albatross

Because a) this is a great tune to listen to when the sun is shining and b) early / Peter Green’s Fleetwood Mac   > Rumours Fleetwood Mac.

*I dropped needle on it once and confirmed I need a new stylus. Until that arrives….

** See also: ‘Living On A Thin Line‘.

Back in 2014

I’m always late with these things. It’s probably for two reasons – well three…. I see too many people giving their “Top Albums of the Year” lists when, really, who cares?…. I think the timing of too many of those lists means great albums released as the year draws to a close don’t get that little bit more exposure by inclusion and albums released in the early stages tend to be forgotten come December. Thirdly… well, life keeps me busy.

However…

I listened to a lot in 2014 and plenty of new music within that lot. Pretty sure it was a good growth year for my vinyl collection too as I tried, for the most part, to stick with vinyl when it came to buying new music.

There were a couple of instances where I’m glad I didn’t shell out for the black circle though…

Two big names released new albums this year and, despite initial expectations, I was left a little disappointed by both. I’ve mumbled enough on the let down of Springsteen’s High Hopes here. It still holds, I’ve not gone back and listened to it and discovered any hidden layers since. That it made Number 2 on Rolling Stones’ albums of the year list baffles me. Then again they gave U2 the Number 1 slot and I don’t think I’ve heard anything that bad that wasn’t coming from an adjoining cubicle in a public toilet.

The second disappointment was more of a shocker, though. It was a shock to hear that, after twenty years, Pink Floyd would be dropping an album. It was a bit of a surprise that it was to be ambient / song-free and I was even more surprised that my excitement didn’t continue after I’d heard it. Granted, I first heard The Endless River through headphones on Spotify (having been put off by the hefty price tag associated with vinyl pre-orders) and when I picked up the CD it did reveal more. It’s not a bad album but it’s not a great album, which their legacy deserves. It’s an album divided into four distinct parts and I think it’s fair to say I like 2/4 of it, love 1/4 and outright loath the other 1/4 – the first half is a decent lead in, the third quarter is abysmal and the final stretch from Talkin’ Hawkin’ is spot on.  While Louder Than Words is a nice nod to and send off for Rick Wright, I still think High Hopes was the perfect way to say farewell to Floyd.

That’s the negative out of the way.

photo 1There was a lot of new music I loved in 2014. Mogwai got things going with the early release (and then forgotten about come those Best of lists) of Rave Tapes. A lot of spins on the record player and a lot of plays in the car – while not as adventurous or different in sound as the press would suggest, it marked a good step forward in their sound and did find them incorporating additional elements into the mix. Though am I alone as a Mogwai fan in not really enjoying it when they sing?

Speaking of which… Thee Silver Mt Zion’s Fuck Off Get Free We Pour Light On Everything was another stand out. I tend to view Silver Mt releases with mixed emotions; as much as I enjoy them I’d still rather Godspeed was the main going concern. Still, Fuck Off Get Free… is a solid addition to a very strong canon and sees Menuck really developing as a lyricist.

Sharon Van Etten’s Are We There found its way into my collection in October after reading positive review after positive review. It justifies those reviews. Loved it. Lot of pain and emotional fall out in the lyrics but such delivery and luscious song writing.

I was given Ryan Adams‘ self-titled new album this year too. I wasn’t hugely taken with his ‘comeback’ album Ashes & Fire (don’t get me wrong; it’s good, but…) but this one is a different kettle of fish altogether. Sounding much more vibrant, confident and sure of himself than perhaps ever, really. More direct and accessible than previous albums, hugely enjoyable and listen-able from start to finish.

I spoke of the Foo Fighters’ Sonic Highways – it’s still getting a lot of rotation (again, probably fuelled by the fact that my son enjoys it so much too) and more appreciation with each listen. Still can’t get over the cumbersome nature of Congregation as a lyric.

Also warranting a few rotations was the latest J Mascis solo trundle – Tied to a Star. While not as much as a revelation as his first ‘alone with an acoustic’ album Several Shades of Why, Tied to a Star is very enjoyable, adding a bit more of a backing band to flesh out the sound along with the odd burning guitar solo though never quite realising the highs of either the former album or his Dinosaur Jr work, of which I hope there’s more to come this year.

A couple of EPs – both the third in a series – bookended the year for me: Pixies EP3 (which also allows me to count Indie Cindy as one of this year’s most played) and EP3 from SQÜRL. Though vastly different in sound of course, both are cracking ends to a trilogy and contain some of each bands best work. Though the SQÜRL EP gets the win if only for the presentation and picture disc.

At the tail end of 2013 I started getting in the War on Drugs. Their new album Lost In The Dream made its way to the top of a lot of end of year / critics choice lists and it thoroughly deserved to. I loved it. It threw me at first – I thought there was something wrong with my record player thanks to the sound. It’s a beauty. It does recall a lot of those 80’s rock landmarks like Springsteen, Petty and the whole Den Henley  Boys of Summer vibe (all of which get a tick from me) but they’re hinted at, alluded to rather than worn brazenly on a denim-clad sleeve, it’s very much a contemporary sound. One which is so easy to get lost in as you travel through the album – despite being great to spin on a Sunday afternoon, it’s very much an album for listening to on the move. Hazy, dream-like sounds danced all over by some sublime guitar lines.

photo 3In terms of Re-Issues… I only really got into two. Some Pixies magic (again) with the end-of-year release (so will ludicrously miss being included on all those lists when it deserves to sit atop them) of Doolittle 25 meant a triple album of greatness, with the original album remastered, demos, b-sides and Peel sessions all making a compelling release. The second was Led Zeppelin’s IV reissue – hugely superior sound quality and a second slab of vinyl containing alternate takes and mixes adding to an already faultless album.

Most Played?

Bu6ErPKIEAAJp0PThe record that probably got the most spins this year? It’s a very tasty album indeed. It’s the Mondo Tees reissue of the Jurassic Park soundtrack. I love this for so many reasons. I was (very) lucky enough to be given this for my first Fathers Day by my wife after I’d hum this to get our son to sleep. I was also very (very) lucky enough to get one of the very rare Dilophosaurus version. Also, John Williams created another beautiful soundtrack for JP back in 1993 all summed up beautifully in Welcome to Jurassic Park:

I’m still playing catch-up with some of 2014’s releases – I’ve only just picked up Karen O’s Crush Songs and have yet to drop needle on it’s lovely blue vinyl, nor did I get around to hearing new albums from Jenny Lewis, Ben Frost, Spoon or even the terrifying good (based on the little I have heard) Swans albums dropped in 2014. What can I say; I’m a busy guy and who really cares what I think of them?