Blog Tour: Six Stories by Matt Wesolowski

From The PR: “1997. Scarclaw Fell. The body of teenager Tom Jeffries is found at an outward bound centre. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who took that fateful trip, and the flimsy testimony of those living nearby.
2017.

Enter elusive investigative journalist Scott King, whose podcast examinations of complicated cases have rivalled the success of Serial, with his concealed identity making him a cult internet figure. In a series of six interviews, King attempts to work out how the dynamics of a group of idle teenagers conspired with the sinister legends surrounding the fell to result in Jeffries’ mysterious death. And who’s to blame…

As every interview unveils a new revelation, you’ll be forced to work out for yourself how Tom Jeffries died, and who is telling the truth.”

Right then, here we are with Six Stories, one of the most interesting books I’ve read in a while with something of a unique narrative approach – like a contemporary take on The Moonstone‘s multi-character narrative. One unsolved crime, six key stories as told, judgement free, to Scott King on his podcast  with listeners being left to form their own views on what happened – that’s the premise of ‘Six Stories’.  Six Stories, told as though an episode of said podcast, unravels the mystery of what happened to 15 year old Tom Jeffries who went missing one night on Scarclaw Fell before his body was discovered a year later.

Twenty years ago the death Jeffries had been ruled as ‘misadventure’ – his body having been eventually discovered in the mud of the Fell one night by Harry Saint Clemeny- Ramsay (who also adds a narrative thread in between the Six Stories) and his friends’ dogs  – but then what were Harry and his friends really doing out in the wild with their dogs, lamps and guns? Hunting? For what? Why had the body been missing for so long despite thorough searches at the time?

As each of the six stories unfolds we’re treated to more questions and intrigue, more revelations and head scratchers – thankfully ‘Scott King’ provides plenty of recaps and additional voices, corroborations from those outside the ‘six’ – for Six Stories is most definitely a very meticulously plotted and tightly wrapped story. Deeply engrossing and one that cost plenty of sleep – there’s so much here that made me flip back in the book to re-read earlier threads and some genuinely chilling moments that are capable of raising the odd goosebump or three and once you’ve gotten into the swing of the style it’s impossible to finish reading one ‘story’ and not want to plough straight into the next one to see what that character brings to the mix.

Those characters are all brilliantly written and their stories all so comprehensively well delivered – the multi-angle and narrator approach really keeps things rocking and gives adage to the notion that not every story is one-sided and events become increasingly detailed and multi-faceted with every witness’ version of events, though I will say these were either a pretty precocious bunch of 15-year-olds or I lived a sheltered existence. It’s strange but after you get into it – the first two ‘stories’ are not from any of the then-teenagers –  you really want to see how the Rangers have aged, what they’re like now after reading so much of what they were like then.

It’s hard to talk too much about Six Stories and its narrative style and how it goes on to deliver in spades without dropping an almighty spoiler but I will say that the final story and its revelation is an absolute belter and written / handled in such an accomplished manner as to leave the reader in no doubt that Matt Wesolowski is a  very much a  talent to keep an eye on.

Six Stories is a compelling and rewarding read with enough intrigue and mystery to keep you glued to the end. Thanks again to Karen at Orenda for my copy and do check out the other stops on the Blog Tour:

Blog Tour: Cursed by Thomas Enger

img_2005From the PR: “When Hedda Hellberg fails to return from a retreat in Italy, where she has been grieving for her recently dead father, her husband discovers that his wife’s life is tangled in mystery. Hedda never left Oslo, the retreat has no record of her and, what’s more, she appears to be connected to the death of an old man, gunned down on the first day of the hunting season in the depths of the Swedish forests. Henning Juul becomes involved in the case when his ex-­‐wife joins in the search for the missing woman, and the estranged pair find themselves enmeshed both in the murky secrets of one of Sweden’s wealthiest families, and in the painful truths surrounding the death of their own son. With the loss of his son to deal with, as well as threats to his own life and to that of his ex-­‐wife, Juul is prepared to risk everything to uncover a sinister maze of secrets that ultimately leads to the dark heart of European history. ”

“It’s like having a gun to your head”, being a dad, according to Henning Juul: “You go around being frightened the whole time. Frightened that something might happen… And you think that all the awful stuff you read about in the papers – it won’t happen to you and your child; it only happens to other people’s kids.” Juul, you see, is living every parent’s nightmare – his son was killed. As Henning and his son slept the apartment they were in was set alight as a warning – Juul’s investigations having come too close to some presumably powerful and truly nasty people. All of which, I understand (and please correct me if I’m wrong) happened before the events of the first Henning Juul novel, Burned.

So here we are with Cursed, the fourth entry in the Henning Juul series and it’s an absolute belter that cost me a fair bit of sleep in my reluctance to put it down. I’ve not read the previous novels in this series but I never felt that I was lost or missing anything for having not yet done so (only that I now need to go back and start at the beginning as this was such a good read) as Thomas Enger does a great job of bringing you up to speed without being heavy handed.

As Juul continues to search for the man who set alight his apartment and delve deeper into Oslo’s dark underbelly with some memorable scenes and characters, his ex-wife Nora is asked to investigate the disappearance of Hedda Helberg.

Having discovered the motivations and back story behind Juul’s investigations I honesty didn’t expect Nora’s case to be able to compete in terms of either drama or grip, but then I do like to be surprised by a book and the supposed missing-person case of Hedda Helberg soon becomes just as demanding of attention as slowly but surely a web of deceit and lies surrounding one of Norway’s wealthiest families is pulled apart.

Both of these investigations and narratives have the slow-burning, intricate and meticulous plotting that I so enjoy in a good thriller and that the two gradually become linked as they gather both pace and intrigue mean there’s zero chance of putting it down. The switch between narrative focuses proving a great device as it allows for a fuller view of each of the characters.

It’s hard to read Cursed and not be moved by the loss that Nora and Henning have endured while also noticing the difference between the two characters and how the death of their son has affected them both. Nora slowly but surely moving forward in life, back to work and in a new relationship, all the while carrying a ball that their son played with in her bag. Juul – presumably blaming himself in many a way – is  driven by nothing but finding justice for his son, his entire being devoted to the cause. The tragic and heartbreaking (seriously where is the Orenda Gut Check warning on this one?) back story makes this novel all the more compelling.

Cursed just about has the lot; intrigue from the off,  tightly weaved plots that pull you right in, plenty of twists, gritty and scarred lead characters and enough emotional heft and resonance to floor come the final reveal – all underpinned by a back story and over-riding story arc that ensures the Henning Juul series demands attention.

A complex, taught and thoroughly gripping read, Thomas Enger’s Cursed is a first-rate character-driven thriller that doesn’t disappoint.

Many thanks to Karen at Orenda for my copy and do check out the other stops on the Cursed Blog Tour.

cursed-blog-tour

Least to Most: Bruce – Nebraska

“I saw her standing on her front lawn just twirlin’ her baton.
Me and her went for a ride sir and ten innocent people died.”

bruce_springsteen_-_nebraskaIt opens like countless Springsteen songs before (and since) with a guy and his girl going for a ride but with that opening verse’s change in direction to the dark, it’s clear that Nebraska is is a very different entry in the Springsteen catalogue.

It was the precursor to the lo-fi, bedroom recording fad would inform countless imitations in years to come as every singer/songwriter who fancied their salts as a ‘serious artiste’ grabbed an acoustic and holed themselves up with a four-track recorder in an effort to make their own Nebraska. But, in doing so, they’re overlooking the one key factor about this album which means that they fail in that element – Bruce never set out to record an album of such intimacy; the songs on Nebraska were meant as demos which he then went on to play to his band and try and capture full E Street versions.

After the mammoth sessions for previous albums like The River and Darkness On The Edge of Town, Springsteen realised that a huge amount of time was being spent in the studio working on song ideas. He’d go in with songs half-written or ready, record, take a break, write some more…  So he asked his engineer to find him some way of recording at home, so he could get down his demos ahead of the studio and reduce (expensive) session time.

As was the way with Bruce at the time, he was in a writing storm and cut a lot of demos – more than would make it to Nebraska. His manager was the first to hear them all, he got a cassette containing ‘Bye Bye Johnny’, ‘Starkweather’ (which would become the title cut), ‘Atlantic City’, ‘Mansion on the Hill’, ‘Born in the USA’, ‘Johnny 99’, ‘Downbound Train’, ‘Losin’ Kind’, ‘State Trooper’, ‘Used Cars’, ‘Wanda (Open All Night)’, ‘Child Bride’ (which would go on to become ‘Working On The Highway’), ‘Pink Cadillac’, ‘Highway Patrolman’ and ‘Reason To Believe’. Songs that he said “were so dark they concerned me on a friendship level”.

While his manager wasn’t so sure, Springsteen was convinced he had the basics of his next album. But – as always – there was some time to spent before they’d be released. First he and Steven Van Zandt produced a second album for Gary U.S Bonds (for which Bruce wrote another seven songs) before trying to capture the songs with the E Street Band*. Legend has it that he walked around for weeks with the 4-track recordings on cassette in his back pocket as he tried, and failed, to capture versions of those songs that he was happy with. According to Steven Van Zandt it was he who intervened:

“I said to him, ‘Listen, I know this is a bit strange but I honestly think this is an album unto itself and I think you should release it.’ And he was like ‘What do you mean? It’s just demos for the band.’ And I’m like ‘I know you didn’t intended for this to be recorded but I just know greatness when I hear it, okay? It’s my thing, it’s why I’m a record producer and that’s why I’m your friend and I’m just telling you I think your fans will just love this and I think it’s actually an important piece of work. Because it captures this amazingly strange, weirdly cinematic kind of dreamlike mood. I don’t know what it is. All I know is I know greatness when I hear it and this is it, okay? And this deserves to be heard I think people will love it and I think it’s a unique opportunity to actually release something absurdly intimate.'”

Thinking about it, the folks at Columbia must have had some inkling as to what was to come after this one to have taken that bet – after the success of The River and ‘Hungry Heart’ to get them to agree to put out such a non-commercial album, even without any fanfare, as-is must have meant Jon Landau’s negotiating skills were at the forefront, promising the next one would be a hit maker.

From Nebraska, though, only two songs would be released as singles – ‘Atlantic City’ and  ‘Open All Night’ and those would only be released in the UK and Europe.

My introduction to this album outside of ‘Atlantic City’ on Greatest Hits (I always loved the line “Everything dies, baby, that’s a fact, but maybe everything that dies someday comes back”) came via the closing credits on an episode of The Sopranos in 1999 as ‘State Trooper’ pulsated hypnotically over the credits. I found it hard to connect the sound I was hearing to the man behind ‘Born In The USA’. I went and bought Nebraska (bundled in a ‘Nice Price’ double with Darkness On The Edge of Town that still barely leaves my car) the next day and it served as my first Springsteen album (compilations excluded) and a real introduction to brilliance of his craft.

I think Nebraska‘s beauty certainly lies in its recording, the rawness and immediacy make for a great listen and their relative brevity (by Serious Springsteen standards) mean that listening to the album in one sitting makes for an absorbing 40 minutes that isn’t as austere of heavy as, perhaps, the cover might suggest with songs like ‘Johnny 99’ and ‘Open All Night’ adding some upbeat, urgency to proceedings.

Nebraska saw those characters that Springsteen had, with Born To Run, put into cars on a journey to the promised land confront the hard, bitter truth that not everybody arrives and some have to deal with the fact that “there’s just a meanness in this world” that his narrative had, thus far, only skirted. It was the full album realisation of the writing paths he began walking with some of The River‘s more serious songs and would continue to return to (less successfully) later in his career when he felt the need to explore beyond the confines of a full-band sound. This was Springsteen bringing new, literary influences into his songwriting and not blinking in the face of harsh realisations. It’s a slab of brilliance that, three and a half decades later, still sounds vital and compelling especially as, despite it all, at the end of every hard earned day people find some reason to believe.

 

*The Electric Nebraska sessions have become something of a Holy Grail amongst Springsteen devotees. At times it varied between just how many songs were tackled but, in 2010, Max Weinberg confirmed the band had tackled every one of them, he also said the album was “killing”. In his own book Springsteen, too, confirmed the existence of Electric Nebraska but has, previously, also said that the fan-given title for the sessions in misleading. In his book, Songs, he pointed out that they weren’t all “rock” arrangements – Max would play a light percussion on some or Roy Bittan a synth pad.

Many critics have argued, as Landau stated “the right version of Nebraska was released” – drawing their argument from the live versions of those songs like ‘Atlantic City’ or ‘Johnny 99’ that would feature full band versions. BUT… I’ll argue that to analyse it in that way is a mistake. The band are playing fleshed out versions of the arrangement that was released. A song wouldn’t necessarily have taken the same arrangement in a full-band casting. Take ‘Born In The USA’ and its evolution from demo to stadium thumper, or pretty much any Springsteen song’s evolution. Even ‘Blood Brothers’ has numerous arrangements. The shape and arrangement these tracks may have evolved into with further Electric Nebraska session (there’s arguments that poor recording experience on the side of the engineer for these sessions was also to blame for their curtailing) will likely never be revealed though.

Blog Tour: Sealskin by Su Bristow

img_1900Sometimes a book will come along that hypnotises you just so and holds you so much under its spell that when it comes time to even attempt to do it justice in a review that it becomes pretty much impossible to put into words just how bloody good it is and those superlatives that are known merely prove inadequate. Su Bristow’s Sealskin is one of those books.

Winner of 2013’s Exeter Novel Prize, Sealskin is based on the legend of the selkies – seals who can transform into people. More specifically the legend of a fisherman who, one night at full moon, witnessed nine seals who came to shore, took off their skins and became beautiful young women dancing on the beach. In Su Bristow’s novel that fisherman watches the women dance and, unable to contain himself, makes a terrible mistake. That mistake has ramifications for both him, the young woman and the small fishing community where life is hard, the sea is all powerful and belief is as strong as fact.

So what could I say about this book now that it’s my turn on the blogtour? This book for which superlatives are not enough and others have heaped such well deserved praise on. What could I add?

I could say that it’s haunting, that it’s captivating and mesmerising. I could point out that Sealskin is one of the best things I’ve read and I could go on to say that Su Bristow’s narrative is so delicious that it pulls you slowly and completely into a story so satisfying and equal parts joyous and heartbreaking (utterly so) that it leaves you yearning for more and I could (should) also point out that when you do turn the final page the immersion within its world is so total that you will get withdrawal symptoms and find yourself looking around at your environment as if it were alien with an almighty book hangover.

I could say that I found this beautiful novel completely mesmerising that I barely put it down. I could mention that the characters are all so perfectly nuanced and full as to leave me wondering if this were legend or fact.

I could point out how Su Bristow’s portrayal of this bleak place’s calm, stoic acceptance of hardship and grief (“He could just remember his little sister, stumbling after him down the path, crying when she stung her hand on the nettles, laughing when he tickled her. She had it all to learn, too, when the fever burned her life away.”) is so much more affecting than anything I’ve read in some time.

I could say all of this but what I really want to say is that this Sealskin is such an absolute essential addition to any self-respecting book lovers’ collection that if you don’t love it there’s probably something wrong with you.

Yes, that’s what I’ll say: you need Sealskin by Su Bristow on your bookshelf. But only after you’ve read it and let it possess you.

I’ll also say a huge thanks again to Karen at Orenda for sending me a copy of this to review and for continuing to take chances on and publishing such bloody good literature.

sealskin-blog-tour img_1900

Blog Tour: Rupture by Ragnar Jónasson

fullsizerenderThe calm, secluded Icelandic town of Siglufjörður is even more quiet than usual; the sudden illness and death of a visitor means the town is in quarantine.

For Ari Thór this is not necessarily a bad thing – he and Tómas are now the lone members of the police force, splitting shifts between them. But he’s not keeping idle. A local man, Heddin, asks him to look into a decades-old mystery: in 1955 two young couples moved to the isolated and otherwise uninhabited Hedinsfjörður. Their attempts to forge a new life come to disturbing end when one of the women dies after consuming poison, help too far away to reach her in time. The case was never solved and suicide considered the accepted explanation. Heddin, the son of one of the couples and born in Hedinsfjörður himself, has been given an old photograph that may prove something more sinister occurred in that desolate fjord – for, holding the infant Heddin in his arms, an unknown man smiles back at the camera.

Who is the man in the photo? Does he have anything to do with the death of Heddin’s aunt? What really happened out on that bleak fjord? Unable to leave town, Ari is assisted in his investigations by Ísrún, a news reporter (introduced in Black Out) who’s chasing a case of her own.

Isrun’s case is a far more complex and  multi-faceted one that brings together a child abduction, murder and political ambition that is at times genuinely chilling and nerve-wracking. The hurried, freedom of her movement in Reykjavík further emphasising the cooped-up restraint of Siglufjörður as both she and Ari Thór discover just how far the actions of the past can reach into the present.

The splitting of action in Rupture allows Ragnar Jónasson to really flex his skills as a writer; equally strong in both establishing a slow burning mystery in Siglufjörður and a gripping, fast-paced thriller of a story in Reykjavík, each complex and packed with enough intrigue and revelation to ensure the pages of Rupture are turned with speed.

With many a well known series character there’s not much of an unknown quality about them. Their history and character traits are pretty quickly established and it’s seeing how these known elements handle changing situations that make for so many of their books. Everyone knows, for example, how a Jack Reacher type will respond in a given situation or whether a Harry Hole type will pick up a drink or not. What makes the Dark Iceland series so bloody addictive is that this isn’t the case with Ari Thór; glimpses and insights into his past and character are revealed with each book (the violent jealousy in Black Out or the truth of his parents hinted at in Night Blind) but the whole remains hidden so as to make the character of its lead as much a mystery as the crimes themselves and keep the reader coming back to the police station in Siglufjörður.

Rupture is a fantastic book, another brilliant instalment in the Dark Iceland series which is itself a vital addition to both the thriller genre and any discerning bookshelf. I cannot recommend this enough.

Thanks again to Karen at Orenda for my copy and do check out the previous stops (I seem to have the honour of closing it) on the Rupture blog tour.

rupture-blog-tour

Blog Tour: Deep Down Dead by Steph Broadribb

From the PR: “Lori Anderson is as tough as they come, managing to keep her career as a fearless Florida bounty hunter separate from her role as single mother to nine-year-old Dakota, who suffers from leukaemia. But when the hospital bills start to rack up, she has no choice but to take her daughter along on a job that will make her a fast buck. And that’s when things start to go wrong.

The fugitive she’s assigned to haul back to court is none other than JT, Lori’s former mentor – the man who taught her everything she knows … the man who also knows the secrets of her murky past. Not only is JT fighting a child exploitation racket operating out of one of Florida’s biggest theme parks, Winter Wonderland, a place where ‘bad things never happen’, but he’s also mixed up with the powerful Miami Mob. With two fearsome foes on their tails, just three days to get JT back to Florida, and her daughter to protect, Lori has her work cut out for her. When they’re ambushed at a gas station, the stakes go from high to stratospheric, and things become personal.

Breathtakingly fast-paced, both hard-boiled and heart-breaking, Deep Down Dead is a simply stunning debut from one of the most exciting new voices in crime fiction.”

img_1586

This book cost me some sleep; once it gets going Deep Down Dead is an addictive read and one any fan of a good thriller will love. 

Now I look at the book on my shelves I’m surprised that it’s over 330 pages – it rips along with such a pace but then there’s an awful lot of good stuff packed into Deep Down Dead: a gritty female lead with more punch than a Klitschko brother and a back story that ensures you’re hanging to each page rooting for her while the plot has more twists and excitement than a ride at Winter Wonderland. That this is Steph Broadribb’s first novel makes that all the more impressive. 

A thoroughly enjoyable read with enough grip and twists to keep the reader hooked through to the end. A strong debut and I’m looking forward to the next chapter.

Thanks again to Karen at Orenda for my copy and check out the other stops on the tour.

ddd

Book Review: All the Light We Cannot See by Anthony Doerr

I’ve set myself a target / challenge of reading 40 books this year. It might seem like a few but I cleared 30 or so last year and I’m 3 down already. The first book I read in 2017 is going to take some beating though. It really cost me some sleep.

img_1467Some time last year I saw All the Light We Cannot See by Anthony Doerr on a table in the local (chain) bookshop. Immediately I was struck by the cover (I’m pretty sure a lot of others do judge books this way) even before I read the blurb on the back which well and truly got my interest. However; my TBR pile was already well stocked so it stayed on the table. Until it appeared under the Christas tree.

I’ve heard some people bemoan the historical fiction genre as limited and this has always baffled me. Aside from the opportunities offered by the ‘what if / alternative timelines’ explored by the likes of Fatherland, even small parts of history such as the Second World War offer a canvas so vast and wide as to be pretty much limitless in opportunities for invention and story while the gravitas of events is always going to add some emotional heft and that’s certainly the case with All the Light We Cannot See.

Thing is, with all that emotional heft and known touch points, it’s easy for historical novels to overdo it and try and hit every (see City of Theives) but that’s not the case here. While it’s clear from the get go that this is going to be an emotional novel – Marie-Laure is a blind girl whose mother died in childbirth while Werner and his sister Jutta are orphans in a harsh German mining town, Doerr doesn’t over egg the pudding. He doesn’t need to:

“Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighbourhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.

In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.”

The story gets started with the night before the near destruction of Saint-Malo in 1944 before tracing the timelines of its two leads back to their childhoods and briskly bringing them to the present and to each other in one hell of a climax. Told in present tense, the prose is short and bullet sharp and keeps the momentum of the story ripping along, there’s no time to dwell on emotional impact (perhaps making it all the more hard-hitting when it comes) and there are moments when it’s clear that Doerr is himself wrapped up in the story and just letting it unfold and getting out of its way. An absolute joy to read.

A story of science and the power of radio, Nazi occupation, wonderment and the question of morality, All the Light We Cannot See by Anthony Doerr is a genuinely great novel- it’s a good thriller crossed with a damn good stab at great literature. It’s been pretty much highly received and won the 2015 Pulitzer Prize for Fiction (I’m also a big fan of the previous winner, Donna Tartt’s The Goldfinch).

 

Blog Tour: The Exiled by Kati Hiekkapelto

Is there a Finish expression for busman’s holiday?

From the PR:
“Murder. Corruption. Dark secrets. A titanic wave of refugees. Can Anna solve a terrifying case that’s become personal?  
Anna Fekete returns to the Balkan village of her birth for a relaxing summer holiday. But when her purse is stolen and the thief is found dead on the banks of the river, Anna is pulled into a murder case. Her investigation leads straight to her own family, to closely guarded secrets concealing a horrendous travesty of justice that threatens them all. As layer after layer of corruption, deceit and guilt are revealed, Anna is caught up in the refugee crisis spreading like wildfire across Europe. How long will it take before everything explodes?”

41mxo4kt01l-_sx322_bo1204203200_I really need to get my hands on a copy of The Hummingbird, the first installment in Kati Hiekkapelto’s Anna Fekete series. Last year the second book The Defencless was one of my best reads of 2015  and, having just finished The Exiled it’s safe to say this is fast becomming one of my favourite series and Anna Fekete makes for a compelling lead character.

A fish out of water in Finland, Anna finds herself just as out of place back in her ‘home’ country – she’s lived abroad for so long now that the mannerisms, and even the language, are alien to her and Kati Hiekkapelto perfectly captures that strange sense of disconnect felt by those returning home from a different culture – specifically a ‘western’ one – and the seeming frustration at the change in how even the most straight-forward of things function differntly. It’s not obvious to all who haven’t witnessed or experienced it but there is a real change in the pace of life and priorities compared to more latin countries and it’s clear the author has done more than her homework here.

Kati does a wonderful job of evoking Serbia – the people, the mannerisms, the climate, the pastimes, even the social necessities and the odd (to Western eyes) importance placed on just those, along with Anna’s confused emotions on returning to her homeland – even if what she finds isn’t always to her liking there are certain sensations and memories that cannot be tainted and here come across beautifully. Ms Hiekkapelto’s skill, though, is in combining these rich evokations with a gripping and superbly paced plot. It’s one thing to paint a picture so vivid as to have the ready longing for another glass of homemade plum brandy, it’s another to write a genuinely engaging and taut mystery but it’s an art to get the two to work together seamlessly. That’s an art where Kati Hiekkapelto is most definitely skilled.

As much as I enjoy tearing though a fast-paced thriller, I love a good slow-burner and The Exiled more than delights; the writing is calm and effective – it draws you in with deceptive ease until you’re fully immersed in both place and plot with a great level of detail and characters and as determined to get to the bottom of the mystery as Anna Fekete herself.

One of the elements I enjoyed most about The Defenceless was Kati Hiekkapelto’s handling of important social themes and the same is true with The Exiled. Never more timely, the handling of the dehumanisation of refugees – even the nastily subtle manner in which the media decides they’re ‘immigrants’ rather than people fleeing absolutle terror – plays a central role in this novel; a pertinent message for our times as the Right seems to barrel it’s way through truth and humanity.

I thoroughly enjoyed The Exiled and can’t recommend it enough. Thanks again to Karen at Orenda for my copy and do check out the other stops on the blogtour:

finnish-invasion-blog-tour-banner

 

Book Review: The Mountain In My Shoe by Louise Beech

“A book is missing.

A black gap parts the row of paperbacks, like a breath between thoughts.”

I love that opening.

Last year saw publication of Louise Beech’s How To Be Brave on Orenda Books. A thoroughly moving book that made my reads of the year list. What impressed me most was how its writer was unafraid to tackle emotional areas from which others might blanch while combining such insightful writing with a compelling story. She’s done it again.

I was more than happy and eager to read The Mountain In My Shoe when it was so kindly sent to me by Karen at Orenda. Life and this year being the utter shit that it has been, though, means I couldn’t do so straight away. My stop on the blogtour for this one was kindly populated by the author herself with a piece on adversity that’s well worth a read, here.

Now, though, I’ve not long turned the final page on this one and it’s time to get down my thoughts and I’ll try to do so without giving away too much. If I can…

From The PR: “A missing boy. A missing book. A missing husband. A woman who must find them all to find herself …

the-mountain-in-my-shoe-copy-275x423On the night Bernadette finally has the courage to tell her domineering husband that she’s leaving, he doesn’t come home. Neither does Conor, the little boy she’s befriended for the past five years. Also missing is his lifebook, the only thing that holds the answers. With the help of Conor’s foster mum, Bernadette must face her own past, her husband’s secrets and a future she never dared imagine in order to find them all.

Exquisitely written and deeply touching, The Mountain in My Shoe is both a gripping psychological thriller and a powerful and emotive examination of the meaning of family … and just how far we’re willing to go for the people we love.”

I seem to recall Louise Beech saying that in The Mountain In My Shoe she’d ‘accidentally’ written a thriller. If this is an accident then I’d be first in line to see what happens were she to set out to do so. I was thoroughly gripped and found myself turning through the pages with a speed that ought to have worried the binding. Contained within is a book that encompasses psychological thriller, emotional drama and gripping mystery.

As with How To Be Brave, there’s more than one voice telling a story in The Mountain In My Shoe: Bernadette, an abused housewife on the verge of leaving her controlling husband; Connor, a young boy who’s spent his life in the care system and The Book – Connor’s ‘life book’. The Life Book is Connor’s story updated by those that care for him – foster parents, social workers, teachers. I found this exceptionally moving – having just rediscovered my young son’s ‘My Story’ type book after moving and realising that, for Connor (and so many like him) life can deal some pretty harsh cards. A masterful touch from Mrs Beech.

The changing narratives and perspectives add a great depth to the story and each are handled convincingly and ring true. The Book is especially moving, upping the empathy for Connor and the suspense. It makes for painful reading at times but I’ve said this before and I’ll no doubt say it again; woe betide the author that goes for comfortable.

How To Be Brave and The Mountain In My Shoe are very different books and while there’s a few similarities (a diary and lifebook as narrative devices), there’s one undeniable thing they have in common; Louise Beech writes with an emotional honesty and bravery that elevates her work from the crowd. She writes in a way that just manages to cut to the core – especially as a parent – every single time. Brilliant.

Worth the wait, very highly recommended and thanks again to Karen at Orenda for another great book. Seriously, though, Karen; every time I think I’ve got my ‘Top Reads of the Year’ list sorted I open another book with the Orenda logo on its spine.

 

Book Review: Dark Side of the Moon by Les Wood

41binrfmxkl-_sx324_bo1204203200_Boddice, a crime lord looking over his shoulder for good reason, has assembled an unlikely band of misfit crooks. Their job is to steal a famous diamond worth millions, known as The Dark Side of the Moon. Despite the odds, the crew is self-serving squabbles and natural incompetence, the plan progresses. As events build to an explosive climax no one really knows who is playing who. Full of twists and turns and laugh-out-loud moments, this is a hugely enjoyable romp entirely from the criminal’s point-of-view, with not a single cop in sight.

An odd one, this; Dark Side of the Moon  by Les Wood is essentially a crime story with not a whisper of the police.  Instead what we get is a crime lord falling down the pecking order of Glasgow’s underbelly, desperate to pull off a big job and secure his place at the top of the table. A gang of petty criminals and hard men all under his thumb / at his mercy. The world’s most valuable diamond and a plot to steal it against tough security and odds with no experience and no real clue what the hell is going on.

Gritty, at times uproariously funny and populated by some truly memorable characters Dark Side of the Moon is more than a madcap heist story – for one thing there’s an undercurrent of sadness throughout. It’s a grim, blighted reality that these characters live in and it’s pulling them all down. Strangely, though, this meant I ended up having genuine sympathy for some of them despite the fact that these are some pretty nasty people. It’s a mark of real talent that Les Wood manages to draw out compassion for someone as brutal and hardened as Prentice – even after Kyle’s dog story.

Like the hard-men it portrays, this book gets its punches in early and doesn’t relent. Maybe it’s the continual influx of bad news that this year has heralded but I’m finding myself increasingly immune to shock, yet there are parts of Dark Side of the Moon that caused me to swear and put the book down for a moment or three (though never for long as I was hooked) so powerful are parts of it. I’ve not been able to look at a can of emulsion paint the same way since.

But don’t get me wrong – this isn’t a bleak book that’s hard to read. Noooo… far from it. I love a book that challenges and I thoroughly enjoyed reading Dark Side of the Moon. Les Wood finds the perfect balance between vividly portraying the dark underworld, humour and thrill with pacing that keeps the book surging along, building up to a terrifyingly gripping and bloody crescendo of a climatic scene that both quashed expectations and left my mouth agape.

Deliciously dark and hugely entertaining, The Dark Side of the Moon is a great novel and I’m very surprised that this is Les Wood’s first. Very grateful to Freight Books for sending this one my way and wholeheartedly recommended.